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Socialist senses : film, feeling, and the Soviet subject, 1917-1940 /
In a major reimagining of the history and cultural impact of Soviet film, noted film scholar Emma Widdis explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a "...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2017]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Widdis, Emma, |d 1970- |e author. | |
| 245 | 1 | 0 | |a Socialist senses : |b film, feeling, and the Soviet subject, 1917-1940 / |c Emma Widdis. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2017] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: feeling Soviet -- Avant-garde sensations -- Material sensations -- Textile sensations -- Socialist sensations -- Primitive sensations -- Modern sensations -- Socialist feelings -- Socialist transformations -- Socialist pleasures. | |
| 588 | |a Description based on print version record and CIP data provided by publisher. | ||
| 520 | |a In a major reimagining of the history and cultural impact of Soviet film, noted film scholar Emma Widdis explores the fundamental transformations in how film, through the senses, remade the Soviet self in the 1920s and 1930s. Following the Russian Revolution, there was a shared ambition for a "sensory revolution" to accompany political and social change: Soviet men and women were to be reborn into a revitalized relationship with the material world. Cinema was seen as a privileged site for the creation of this sensory revolution as film could both discover the world anew and model a way of inhabiting it. Drawing on an extraordinary array of films, Widdis shows how Soviet cinema, as it evolved from the revolutionary avant-garde to Socialist Realism, gradually shifted its materialist agenda from emphasizing the external senses to instilling the appropriate internal senses (consciousness, emotions) in the new Soviet subject. | ||
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| 650 | 0 | |a Motion pictures |z Soviet Union |x History and criticism. | |
| 650 | 6 | |a Cinéma |z URSS |x Histoire et critique. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Soviet Union |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Widdis, Emma, 1970- |t Socialist senses |d Bloomington : Indiana University Press, [2017] |z 9780253026330 |w (DLC) 2017014166 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt200619f |z Texto completo |
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