|
|
|
|
LEADER |
00000cam a2200000Ii 4500 |
001 |
JSTOR_ocn989733275 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
170609s2017 miua ob 001 0 eng d |
010 |
|
|
|a 2017011934
|
040 |
|
|
|a JSTOR
|b eng
|e rda
|e pn
|c JSTOR
|d P@U
|d YDX
|d N$T
|d IDEBK
|d IOG
|d EBLCP
|d OCLCQ
|d OCLCO
|d UNOMP
|d AUD
|d OCLCQ
|d OCLCO
|
019 |
|
|
|a 1164786241
|
020 |
|
|
|a 9780472122875
|q (electronic bk.)
|
020 |
|
|
|a 0472122878
|q (electronic bk.)
|
020 |
|
|
|z 9780472036868
|
020 |
|
|
|z 0472036866
|
020 |
|
|
|z 9780472117413
|
020 |
|
|
|z 0472117416
|
024 |
7 |
|
|a 10.3998/mpub.322080
|
029 |
1 |
|
|a AU@
|b 000062527653
|
029 |
1 |
|
|a AU@
|b 000059719352
|
035 |
|
|
|a (OCoLC)989733275
|z (OCoLC)1164786241
|
037 |
|
|
|a 22573/ctt1qd524g
|b JSTOR
|
043 |
|
|
|a n-us---
|
050 |
|
4 |
|a ML3792.M67
|b F56 2017eb
|
072 |
|
7 |
|a MUS000000
|2 bisacsh
|
072 |
|
7 |
|a MUS039000
|2 bisacsh
|
082 |
0 |
4 |
|a 781.64409774/34
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Flory, Andrew,
|e author.
|
245 |
1 |
0 |
|a I hear a symphony :
|b Motown and crossover R & B /
|c Andrew Flory.
|
264 |
|
1 |
|a Ann Arbor :
|b University of Michigan Press,
|c [2017]
|
300 |
|
|
|a 1 online resource (ix, 334 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Tracking pop
|
504 |
|
|
|a Includes bibliographical references (pages 273-322) and index.
|
520 |
8 |
|
|a I Hear a Symphony" opens new territory in the study of Motown's legacy, arguing that the music of Motown was indelibly shaped by the ideals of Detroit's postwar black middle class; that Motown's creative personnel participated in an African-American tradition of dialogism in rhythm and blues while developing the famous "Motown Sound." Throughout the book, Flory focuses on the central importance of "crossover" to the Motown story; first as a key concept in the company's efforts to reach across American commercial markets, then as a means to extend influence internationally, and finally as a way to expand the brand beyond strictly musical products. Flory's work reveals the richness of the Motown sound, and equally rich and complex cultural influence Motown still exerts.
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Contents -- Acknowledgments -- Introduction -- 1. Searching for Motown -- 2. The Rise of the Motown Sound -- 3. Motown and Soul -- 4. Motown International -- 5. From Motown to the MoWest -- 6. The 1980s and Beyond -- Appendixes -- Appendix 1: Selected International Recordings of Motown Songs, 1963â#x80;#x93;68 (Excluding England) -- Appendix 2: Selected Recordings of Motown Songs Released in England, 1963â#x80;#x93;67 -- Notes -- Bibliography
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
610 |
2 |
0 |
|a Motown Record Corporation
|x History.
|
610 |
2 |
7 |
|a Motown Record Corporation
|2 fast
|
650 |
|
0 |
|a Rhythm and blues music
|x History and criticism.
|
650 |
|
7 |
|a MUSIC
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Rhythm and blues music
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Flory, Andrew.
|t I hear a symphony.
|d Ann Arbor : University of Michigan Press, [2017]
|z 9780472036868
|w (DLC) 2017011934
|w (OCoLC)965760895
|
830 |
|
0 |
|a Tracking pop.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3998/mpub.322080
|z Texto completo
|
938 |
|
|
|a University of Michigan press
|b UOMP
|n 10.3998/mpub.322080
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL5124462
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1531304
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis38449011
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse61236
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 13413343
|
994 |
|
|
|a 92
|b IZTAP
|