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|a Rainer, Lucia,
|e author.
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|a On the threshold of knowing :
|b lectures and performances in art and academia /
|c Lucia Rainer.
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|a Bielefeld :
|b Transcipt,
|c [2017]
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|c ©2017
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|a 1 online resource (223 pages)
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|a Critical dance studies ;
|v volume 46
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|a Originally presented as the author's thesis (doctoral)--Universität Hamburg.
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|a Includes bibliographical references (pages 211-222).
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|a Introduction -- Theoretical embedment -- Methodological approach -- The concept of lecture performances -- The lecture frame and its framings -- The lecture frame and its framings -- Academic lecture: "Experimental Physics 1" -- Artistic lecture: "Lecture on Nothing" -- The performance frame and its framings -- Artistic performance: "Dance for Nothing" -- Academic performance: "Making Research Experiential -- Fascinating Phenomena Observed Through High-Speed Cameras" -- Overriding knowledge practices -- On the threshold of knowing -- Acknowledgements -- Appendix.
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|a In this in-depth analysis of artistic and academic lectures and performances, Lucia Rainer features an innovative conceptual and methodological tool that augments Goffman's Frame Analysis with a praxeological perspective. This way, she gives profound insight into how knowledge - as a practice and a concept - is associated with clarity rather than truth. Based on four case studies - including John Cage's unpublished and unabridged audio recording of Lecture on Nothing - the study explores how the concept of lecture performances, which adheres to two frames that never entirely blend, provides a space to (re- )negotiate the artistic-academic relationship.
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|a Performance art.
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|a Lectures and lecturing.
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|a Art and science
|v Case studies.
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|a Conférences.
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|a Art et sciences
|v Études de cas.
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|a lectures.
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|a ART
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|a PERFORMING ARTS / Dance / General
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|a Lectures and lecturing.
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|a Art and science.
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|a Performance art.
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|a Vortrag
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|a Künste
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|a Performativität
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|a Lecture Performance
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|i Print version:
|a Rainer, Lucia.
|t On the Threshold of Knowing : Lectures and Performances in Art and Academia.
|d Bielefeld : Transcipt Verlag, ©2017
|z 9783837638042
|
830 |
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|a Critical dance studies (Bielefeld, Germany) ;
|v v. 46.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371btxc
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