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Los Angeles documentary and the production of public history, 1958-1977 /

"Los Angeles Documentary and the Production of Public History, 1958-1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Glick, Joshua, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2018]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Glick, Joshua,  |d 1983-  |e author. 
245 1 0 |a Los Angeles documentary and the production of public history, 1958-1977 /  |c Joshua Glick. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2018] 
264 4 |c ©2018 
300 |a 1 online resource (xiv, 277 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : beyond fiction : institutions of the real Los Angeles -- Studio documentary in the Kennedy era : Wolper Productions begins -- Downtown development and the endeavors of filmmaker Kent Mackenzie -- The rise of minority storytelling : network news, public television, and independent collectives -- Hard lessons in Hollywood civics : managing the crisis of the liberal consensus -- Wattstax and the transmedia soul economy -- Roots/routes of American identity -- Numbering our days in Los Angeles, USA -- Conclusion : the 1984 Olympics and the neoliberalization of culture. 
520 |a "Los Angeles Documentary and the Production of Public History, 1958-1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation"--Provided by publisher. 
588 0 |a Online resource; title from digital title page (viewed on March 23, 2018). 
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650 0 |a Documentary films  |z United States  |x History and criticism. 
650 0 |a Motion pictures  |x Political aspects  |z United States. 
650 6 |a Documentaires  |z États-Unis  |x Histoire et critique. 
650 6 |a Cinéma  |x Aspect politique  |z États-Unis. 
650 7 |a LANGUAGE ARTS & DISCIPLINES  |x Journalism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x General.  |2 bisacsh 
650 7 |a Documentary films  |2 fast 
650 7 |a Motion pictures  |x Political aspects  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Glick, Joshua, 1983-  |t Angeles documentary and the production of public history, 1958-1977.  |d Oakland, California : University of California Press, [2018]  |z 9780520293700  |w (DLC) 2017022264 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.1525/j.ctt1x3s3sd  |z Texto completo 
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