A new literary history of modern China /

Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world--a process of "worlding" that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narrat...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Der-wei Wang, David
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, MA : Harvard University Press, [2017]
Temas:
Chinese literature > History and criticism.
Literature and society > China > History.
Littérature chinoise > Histoire et critique.
Littérature et société > Chine > Histoire.
LITERARY CRITICISM / Asian / Chinese
Chinese literature
Literature and society
China
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction. Worlding Literary China
  • The Multiple Beginnings Of Modern Chinese "Literature"
  • Dutch Plays, Chinese Novels, And Images Of An Open World
  • The Revival of Letters in Nineteenth-Century China
  • Legacies in clash: anticipatory modernity versus imaginary nostalgia
  • Robert morrison's chinese literature and translated modernity
  • Gongyang imaginary and looking to the confucian past for reform
  • Flowers in the mirror and chinese women: "at home in the world"
  • Utter disillusion and acts of repentance in late classical poetry
  • In search of a chinese utopia: the taiping rebellion as a literary event
  • My life in china and america and transpacific translations
  • Two chinese poets are homeless at home
  • Foreign devils, chinese sorcerers, and the politics of literary anachronism
  • Women writers in early modern china
  • Wang tao lands in hong kong
  • Media, literature, and early chinese modernity
  • The politics of translation and the romanization of chinese into a world language
  • In lithographic journals, text and image flourish on the same page
  • Lives of shanghai flowers, dialect fiction, and the genesis of vernacular modernity
  • The "new novel" before the rise of the new novel
  • Qiu feng jia and the poetics of tears
  • Language reform and its discontents
  • Oracle bones, that dangerous supplement . . .
  • Liang qichao's suspended translation and the future of chinese new fiction
  • Fallen leaves, grieving cicadas, and poetic mourning after the boxer rebellion
  • Eliza crosses the ice-and an ocean-and uncle tom's cabin arrives in china
  • Sherlock holmes comes to china
  • Imagining Modern Utopia By Rethinking Ancient Historiography
  • Wen And The "First History(-Ies) Of Chinese Literature"
  • Münchhausen Travels To China Early In The Summer Of 1905, The Young Writer
  • Zhang Taiyan And The Revolutionary Politics Of Literary Restoration
  • Global Theatrical Spectacle In Tokyo And Shanghai
  • The Death Of China'S First Feminist
  • The Death Of China'S First Feminist
  • From Mara To Nobel
  • A Classical Poetry Society Through Revolutionary Times
  • Revolution And Love
  • The Book Of Datong As A Novel Of Utopia
  • Hu Shi And His Experiments
  • Inventing Youth In Modern China
  • Zhou Yucai Writes "A Madman'S Diary" Under The Pen Name Lu Xun
  • Modern Monkhood
  • The Big Misnomer: "May Fourth Literature"
  • Clinical Diagnosis For Taiwan
  • Turning Babbitt Into Bai Bide
  • Xiang Kairan'S Monkey
  • New Culture And The Pedagogy Of Writing
  • Xu Zhimo And Chinese Romanticism
  • Enchantment With The Voice
  • Lu Xun And Tombstones
  • Mei Lanfang, The Denishawn Dancers, And World Theater
  • "This Spirit Of Independence And Freedom Of Thought . . . Will Last For Eternity With Heaven And Earth"
  • The Legend Of A Modern Woman Writer Of Classical Verse
  • Ba Jin Begins To Write Anarchist Novels
  • Revolution And Rhine Wine
  • Genealogies Of Romantic Disease
  • Gender, Commercialism, And The Literary Market
  • The Author As Celebrity
  • Practical Criticism In China
  • Invitation To A Beheading
  • The Chinese League Of Left-Wing Writers, 1930-1936
  • Hei Ying'S "Pagan Love Song"
  • Roots Of Peace And War, Beauty And Decay, Are Sought In China'S Good Earth
  • Recollections Of Women Soldiers On The Long March
  • On Language, Literature, And The Silent Screen
  • The Execution Of Qu Qiubai
  • The Child And The Future Of China In The Legend Of Sanmao
  • Crossing The River And Ding County Experimental Theater
  • One Day In China
  • Resonances Of A Visual Image In The Early Twentieth Century
  • Lu Xun And The Afterlife Of Texts
  • Cao Yu And His Drama
  • A Chinese Poet'S Wartime Dream
  • William Empson, W. H. Auden, And Modernist Poetry In Wartime China
  • The Lost Novel Of The Nanjing Massacre
  • The Poetics And Politics Of Neo-Sensationism
  • Between Chineseness And Modernity: The Film Art Of Fei Mu
  • Chinese Revolution And Western Literature
  • Eileen Chang In Hong Kong
  • In War She Writes
  • Taiwan'S Genius Lü Heruo
  • The Cultural And Political Significance Of Mao Zedong'S Talks At The Yan'An Forum On Literature And Art
  • The Genesis Of Peasant Revolutionary Literature
  • The North Has Mei Niang
  • Ideologies Of Sound In Chinese Modernist Poetry
  • The Enigma Of Yu Dafu And Nanyang Literature
  • On Literature And Collaboration
  • On Memory And Trauma: From The 228 Incident To The White Terror
  • The Socratic Tradition In Modern China
  • The Life Of A Chinese Literature Textbook
  • Shen Congwen'S Journey: From Asylum To Museum
  • A New Time Consciousness: The Great Leap Forward
  • The Genesis Of Literary History In New China
  • Transnational Socialist Literature In China
  • A Provocation To Literary History
  • Salvaging Chinese Script And Designing The Mingkwai Typewriter
  • Lao She And America
  • The Emergence Of Regional Opera On The National Stage
  • Lu Ling, Hu Feng, And Literary Persecution
  • Hong Kong Modernism And I
  • Zhou Shoujuan'S Romance À La Mandarin Ducks And Butterflies
  • Orphans Of Asia
  • Sino-Muslims And China'S Latin New Script: A Reunion Between Diaspora And Nationalism
  • A Monumental Model For Future Perfect Theater
  • Mao Zedong Publishes Nineteen Poems And Launches The New Folk Song Movement
  • On The Song Of Youth And Literary Bowdlerization
  • Hunger And The Chinese Malaysian Leftist Narrative
  • Three Ironic Moments In My Mother Ru Zhijuan'S Literary Career
  • The Legacies Of Jaroslav Průšek And C. T. Hsia
  • Fu Lei And Fou Ts'Ong: Cultural Cosmopolitanism And Its Price
  • The "Red Pageant" And China'S First Atomic Bomb
  • Red Prison Files
  • Modernism Versus Nativism In 1960S Taiwan
  • The Specter Of Liu Shaoqi
  • The Red Lantern: Model Plays And Model Revolutionaries
  • Jin Yong Publishes The Smiling, Proud Wanderer In Ming Pao
  • The Angel Island Poems: Chinese Verse In The Modern Diaspora
  • In Search Of Qian Zhongshu
  • A Subtle Encounter: Tête-Bêche And In The Mood For Love
  • The Mysterious Death Of Bruce Lee, Chinese Nationalism, And Cinematic Legacy
  • Yang Mu Negotiates Between Classicism And Modernism
  • Poems From Underground
  • A Modern Taiwanese Innocents Abroad
  • Confessions Of A State Writer: The Novelist Hao Ran Offers A Self-Criticism
  • Chen Yingzhen On The White Terror In Taiwan
  • Liu Binyan And The Price Of Relevance
  • A Tale Of Two Cities
  • Food, Diaspora, And Nostalgia
  • Discursive Heat: Humanism In 1980S China
  • The Advent Of Modern Tibetan Free-Verse Poetry In The Tibetan Language
  • Literary Representation Of The White Terror And Rupture In Mid-Twentieth- Century Taiwan
  • Searching For Roots In Literature And Film
  • The Writer And The Mad(Wo)Man
  • The Birth Of China'S Literary Avant-Garde
  • Gao Xing Jian'S Pursuit Of Freedom In The Spirit Of Zhuangzi
  • "Rewriting Literary History" In The New Era Of Liberated Thought
  • Anything Chinese About This Suicide?
  • The Song That Rocked Tiananmen Square
  • Trauma And Cinematic Lyricism
  • From The Margins To The Mainstream: A Tale Of Two Wangs
  • Meng Jinghui And Avant-Garde Chinese Theater
  • The Death Of Teresa Teng
  • Formal Experiments In Qiu Miaojin'S "Lesbian I Ching"
  • Modern China As Seen From An Island Perspective
  • "The First Modern Asian Gay Novel"
  • Hong Kong'S Literary Retrocession In Three Fantastical Novels
  • Representing The Sinophone, Truly: On Tsai Ming-Liang'S I Don'T Want To Sleep Alone
  • The Silversmith Of Fiction
  • The Poet In The Machine: Hsia Yü'S Analog Poetry Enters The Digital Age
  • Sixteen-Year- Old Han Han Roughs Up The Literary Scene
  • Resurrecting A Postlapsarian Pagoda In A Postrevolutionary World
  • Wolf Totem And Nature Writing
  • Chinese Verse Going Viral: "Removing The Shackles Of Poetry"
  • Suddenly Coming Into My Own
  • Writer-Wanderer Li Yongping And Chinese Malaysian Literature
  • Chinese Media Fans Express Patriotism Through Parody Of Japanese Web Comic
  • Ang Lee'S Adaptation, Pretense, Transmutation
  • Encountering Shakespeare'S Plays In The Sinophone World
  • Defending The Dignity
  • Of The Novel
  • Minority Heritage In The Age Of Multiculturalism
  • Ye Si And Lyricism
  • Lightning Strikes Twice: "Mother Tongue" Minority Poetry
  • Chinese Science Fiction Presents The Posthuman Future
  • Contributors
  • Illustration Credits
  • Index

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