|
|
|
|
LEADER |
00000cam a2200000Ii 4500 |
001 |
JSTOR_ocn987792342 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
170523t20172017onc ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d EBLCP
|d N$T
|d OCL
|d CELBN
|d YDX
|d OCLCQ
|d U3G
|d CNCGM
|d OCLCO
|d BTN
|d SNK
|d OCLCA
|d MERUC
|d OCLCQ
|d CEF
|d UEJ
|d OCLCQ
|d OCLCO
|d IGB
|d AUW
|d MHW
|d INTCL
|d INT
|d OTZ
|d AU@
|d OCLCQ
|d G3B
|d S8I
|d S8J
|d S9I
|d OCLCQ
|d STF
|d OCLCO
|d D6H
|d OCLCQ
|d OCLCO
|d AGLDB
|d CNTRU
|d M8D
|d UKAHL
|d OCLCQ
|d OCLCO
|d SFB
|d OCLCQ
|d K6U
|d JSTOR
|d OCLCO
|d DKU
|d OCLCO
|d OCLCQ
|d P@U
|
016 |
|
|
|a 20179001337
|
019 |
|
|
|a 987896047
|
020 |
|
|
|a 9781487512446
|q (electronic bk.)
|
020 |
|
|
|a 1487512449
|q (electronic bk.)
|
020 |
|
|
|z 9781487501082
|
020 |
|
|
|z 1487501080
|
035 |
|
|
|a (OCoLC)987792342
|z (OCoLC)987896047
|
037 |
|
|
|a 22573/ctv1n2fckj
|b JSTOR
|
043 |
|
|
|a e-sp---
|
045 |
|
|
|a x6x7
|
050 |
|
4 |
|a PN1995.9.R4
|b P47 2017eb
|
055 |
1 |
0 |
|a PN1995.9 R4
|b P47 2017
|
072 |
|
7 |
|a PER
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 044000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 000000
|2 bisacsh
|
072 |
|
7 |
|a REL
|x 084000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004030
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/682746
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Pérez, Jorge,
|d 1976-
|e author.
|
245 |
1 |
0 |
|a Confessional cinema :
|b religion, film, and modernity in Spain's development years, 1960-1975 /
|c Jorge Pérez.
|
264 |
|
1 |
|a Toronto ;
|a Buffalo ;
|a London :
|b University of Toronto Press,
|c [2017]
|
264 |
|
4 |
|c ©2017
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Toronto Iberic ;
|v 24
|
588 |
0 |
|
|a Print version record.
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
|
|
|a "In Confessional Cinema, Jorge Pérez analyzes how cinema engaged the shifting role of religion during the last fifteen years of Francisco Franco's dictatorship. Pérez interrogates the assumption that after 1957, when the Franco regime recast itself in a secular and modernizing fashion, religion vanished from the cultural field. Instead, Spanish cinema addressed the transformation within Spanish Catholicism following Vatican II and Spain's modernization processes. Confessional Cinema offers the first analysis of a neglected body of Spanish films, "nun films," which focus on the active role of religious women in the transformation of Spanish Catholicism. Pérez argues that commercial films, despite being less aesthetically accomplished, delved more than oppositional, art-house films into the fluctuating zeitgeist of the development years regarding the transformations within Spanish Catholicism. Confessional Cinema offers a provocative and original analysis of the significance of religion not from a theological point of view, but rather as a socio-political force and cultural determinant in the Spanish public sphere of this period, known as desarrollismo (development years) from 1960-1975"--
|c Provided by publisher.
|
505 |
0 |
|
|a Cover; Copyright; Contents; List of Figures; Acknowledgments; Introduction: Film, Religion, and the Desarrollismo Period; 1 Lighting Sainthood in the Time of Technocracy; 2 Praying for Development in Post-Vatican II Comedies; 3 Gender and Modernization in Nun Films; 4 Narratives of Suspicion: Religion in the Nuevo Cine Español; Conclusion: Spanish Cinema at the Intersection of Religion and Politics; Notes; Filmography; Works Cited; Index.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
610 |
2 |
0 |
|a Catholic Church
|x In motion pictures.
|
610 |
2 |
7 |
|a Catholic Church.
|2 fast
|0 (OCoLC)fst00531720
|
650 |
|
0 |
|a Religion in motion pictures.
|
650 |
|
0 |
|a Motion pictures
|z Spain
|x History.
|
650 |
|
0 |
|a Motion pictures
|x Religious aspects
|x Catholic Church.
|
651 |
|
0 |
|a Spain
|x Religion
|y 20th century.
|
651 |
|
0 |
|a Spain
|x Intellectual life
|y 20th century.
|
651 |
|
0 |
|a Spain
|x History
|y 1939-1975.
|
650 |
|
6 |
|a Religion au cinéma.
|
650 |
|
6 |
|a Cinéma
|z Espagne
|x Histoire.
|
650 |
|
6 |
|a Cinéma
|x Aspect religieux
|x Église catholique.
|
651 |
|
6 |
|a Espagne
|x Vie intellectuelle
|y 20e siècle.
|
651 |
|
6 |
|a Espagne
|x Histoire
|y 1939-1975.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS / Film & Video / General
|2 bisacsh
|
650 |
|
7 |
|a Intellectual life.
|2 fast
|0 (OCoLC)fst00975769
|
650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
|
650 |
|
7 |
|a Motion pictures
|x Religious aspects
|x Catholic Church.
|2 fast
|0 (OCoLC)fst01027374
|
650 |
|
7 |
|a Religion.
|2 fast
|0 (OCoLC)fst01093763
|
650 |
|
7 |
|a Religion in motion pictures.
|2 fast
|0 (OCoLC)fst01093883
|
651 |
|
7 |
|a Spain.
|2 fast
|0 (OCoLC)fst01204303
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
776 |
0 |
8 |
|i Print version:
|a Pérez, Jorge, 1976-
|t Confessional cinema.
|d Toronto ; Buffalo ; London : University of Toronto Press, 2017
|z 9781487501082
|w (OCoLC)971267383
|
830 |
|
0 |
|a Toronto Iberic ;
|v 24.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/j.ctv1n359bs
|z Texto completo
|
938 |
|
|
|a Project MUSE
|b MUSE
|n musev2_107366
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH35093658
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 453106
|
938 |
|
|
|a EBL - Ebook Library
|b EBLB
|n EBL4863189
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 1521737
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14508532
|
994 |
|
|
|a 92
|b IZTAP
|