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On Becoming a Rock Musician.

In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bennett, H. Stith
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York, NY : Columbia University Press, 2017.
Colección:Legacy editions (Columbia University. Press)
Temas:
Acceso en línea:Texto completo

MARC

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505 0 0 |t Frontmatter --  |t Contents --  |t Foreword to the Legacy Edition --  |t Preface --  |t A Guide for the Reader --  |t Acknowledgments --  |t Part I. Group Dynamics --  |t 1. Introduction --  |t 2. Group Definition and Redefinition --  |t 2. Group Definition and Redefinition --  |t Part II. Rock Ecology --  |t 3. Instruments and "the Outside World" --  |t 4. Equipment and the Band Van --  |t 5. Gigs --  |t Part III. Mastering the Technological Component --  |t 6. Technology and The Music --  |t 7. The Realities of Practice --  |t Part IV. Performance: Aesthetics and the Technological Imperative --  |t 8. Playing --  |t 9. "Other People's Music" --  |t Afterword --  |t Appendix --  |t Notes --  |t Bibliography --  |t Index. 
520 |a In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance. 
546 |a In English. 
504 |a Includes bibliographical references (pages 247-263) and index. 
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