Homo Cinematicus : Science, Motion Pictures, and the Making of Modern Germany /

Situated at the intersection of film studies, the history of science and medicine, and the history of modern Germany, Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany connects the emergence of cinema as a social institution to an inquiry into the history of knowledge prod...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Killen, Andreas (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, Inc., [2017]
Colección:Intellectual history of the modern age.
Temas:
1900-1999
Motion pictures > Social aspects > Germany > History > 20th century.
Motion pictures > Germany > Psychological aspects > History > 20th century.
Cinematography > Scientific applications > Germany > History > 20th century.
Psychoanalysis and motion pictures > Germany > History > 20th century.
Social sciences > Germany > History > 20th century.
Social change > Germany > History > 20th century.
Cinéma > Aspect social > Allemagne > Histoire > 20e siècle.
Cinéma > Allemagne > Aspect psychologique > Histoire > 20e siècle.
Cinéma en sciences > Allemagne > Histoire > 20e siècle.
Psychanalyse et cinéma > Allemagne > Histoire > 20e siècle.
Sciences sociales > Allemagne > Histoire > 20e siècle.
PERFORMING ARTS > Reference.
HISTORY > Europe > Germany.
Cinematography > Scientific applications.
Motion pictures > Psychological aspects.
Motion pictures > Social aspects.
Psychoanalysis and motion pictures.
Social change.
Social sciences.
Germany.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Abbreviations
  • Introduction. Human Science and Cinema in Germany After the Great War
  • Chapter 1. Cinema and the Visual Culture of the Human Sciences
  • Chapter 2. Film Reform, Mental Hygiene, and the Campaign Against "Trash," 1912-34
  • Chapter 3. Hypnosis, Cinema, and Censorship in Germany, 1895-1933
  • Chapter 4. What Is an Enlightenment Film? Cinema and Sexual Hygiene in Interwar Germany
  • Chapter 5. Scientific Cinema Between Enlightenment and Superstition, 1918-41
  • Conclusion. Science, Cinema, and the Malice of Objects
  • Notes
  • Bibliography
  • Index
  • Acknowledgments.

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