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Sociology on film : postwar Hollywood's prestige commodity /
"After World War II, Hollywood's "social problem films"--Tackling topical issues that included racism, crime, mental illness, and drug abuse--were hits with critics and general moviegoers alike. Sociology on Film considers the postwar "problem film" as a form of popular...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, New Jersey :
Rutgers University Press,
[2017]
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| Colección: | Sociology on film
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Cagle, Chris, |d 1974- |e author. | |
| 245 | 1 | 0 | |a Sociology on film : |b postwar Hollywood's prestige commodity / |c Chris Cagle. |
| 264 | 1 | |a New Brunswick, New Jersey : |b Rutgers University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource (x, 188 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Sociology on film | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Two modes of prestige film -- Hollywood as popular sociology -- Hollywood and the public sphere -- A genre out of cycles -- Realist melodrama -- Epilogue. | |
| 520 | |a "After World War II, Hollywood's "social problem films"--Tackling topical issues that included racism, crime, mental illness, and drug abuse--were hits with critics and general moviegoers alike. Sociology on Film considers the postwar "problem film" as a form of popular sociology, translating contemporary policy debates and intellectual discussions into cinematic form. Examining the politics and aesthetics of films like Gentleman's Agreement and The Lost Weekend, Chris Cagle explores how the genre both shaped and reflected the middle-class audience's views of society"--the publisher | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Social problems in motion pictures. | |
| 650 | 0 | |a Motion pictures |x Social aspects |z United States. | |
| 650 | 0 | |a Motion pictures |z United States |x History |y 20th century. | |
| 650 | 6 | |a Problèmes sociaux au cinéma. | |
| 650 | 6 | |a Cinéma |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a POLITICAL SCIENCE |x Civil Rights. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Social aspects |2 fast | |
| 650 | 7 | |a Social problems in motion pictures |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 650 | 7 | |a Soziale Probleme |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cagle, Chris, 1974- |t Sociology on film |z 9780813576947 |w (DLC) 2016012329 |w (OCoLC)948338951 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1pk85t9 |z Texto completo |
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