Cargando…
Race and the revolutionary impulse in The Spook Who Sat by the Door /
Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington, Indiana :
Indiana University Press,
[2018]
|
| Colección: | Studies in the cinema of the Black diaspora.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn984743233 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 170426s2018 inua obq s001 0 eng | ||
| 010 | |a 2017020635 | ||
| 040 | |a DLC |b eng |e rda |e pn |c DLC |d OCLCO |d OCLCQ |d P@U |d N$T |d JSTOR |d YDX |d YDX |d OCLCO |d EBLCP |d MERER |d OCLCQ |d IDB |d OCLCF |d OCLCQ |d U3W |d TEFOD |d OCLCQ |d DLC |d SGP |d OCLCO |d OCLCQ |d OCL | ||
| 019 | |a 1030030427 | ||
| 020 | |a 9780253031808 |q (electronic book) | ||
| 020 | |a 025303180X |q (electronic book) | ||
| 020 | |z 9780253031754 |q (hardcover) | ||
| 029 | 1 | |a GBVCP |b 1018276106 | |
| 035 | |a (OCoLC)984743233 |z (OCoLC)1030030427 | ||
| 037 | |a 22573/ctt21zz5jt |b JSTOR | ||
| 037 | |a 0437A1E6-E1BA-4605-9109-289B38034E17 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 042 | |a pcc | ||
| 043 | |a n-us--- | ||
| 050 | 1 | 4 | |a PN1997.S653 |b R33 2018 |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a PER004030 |2 bisacsh | |
| 072 | 7 | |a PER018000 |2 bisacsh | |
| 072 | 7 | |a ART057000 |2 bisacsh | |
| 082 | 0 | 0 | |a 791.43/72 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Race and the revolutionary impulse in The Spook Who Sat by the Door / |c edited by Michael T. Martin, David C. Wall, and Marilyn Yaquinto. |
| 264 | 1 | |a Bloomington, Indiana : |b Indiana University Press, |c [2018] | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Studies in the Cinema of the Black Diaspora | |
| 504 | |a Includes bibliographical references and index. | ||
| 504 | |a Includes Filmography: pages 216-217. | ||
| 505 | 0 | |a Introduction: The spook who sat by the door / Michael T. Martin and David Wall -- Writer/producer's statement: the making of The spook who sat by the door / Sam Greenlee -- "[D]uality is a survival tool. it's not a disease": interview with Sam Greenlee on The spook who sat by the door / Michael T. Martin and David C. Wall -- Cinema as political activism: contemporary meanings in The spook who sat by the door -- Marilyn Yaquinto -- Persistently displaced: situated knowledges and interrelated histories in The spook who sat by the door / Samantha N. Sheppard -- Subverting the system: the politics and production of The spook who sat by the door / Christine Acham -- The spook who sat by the door, screenplay / Sam Greenlee and Melvin Clay. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 10, 2018). | |
| 520 | |a Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and a transcription of the screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 630 | 0 | 0 | |a Spook who sat by the door (Motion picture) |
| 630 | 0 | 7 | |a Spook who sat by the door (Motion picture) |2 fast |0 (OCoLC)fst02058625 |
| 650 | 0 | |a Racism in motion pictures. | |
| 650 | 0 | |a Race relations in motion pictures. | |
| 650 | 0 | |a African Americans in motion pictures. | |
| 650 | 6 | |a Racisme au cinéma. | |
| 650 | 6 | |a Relations raciales au cinéma. | |
| 650 | 6 | |a Noirs américains au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a African Americans in motion pictures. |2 fast |0 (OCoLC)fst00799733 | |
| 650 | 7 | |a Race relations in motion pictures. |2 fast |0 (OCoLC)fst01086566 | |
| 650 | 7 | |a Racism in motion pictures. |2 fast |0 (OCoLC)fst01086658 | |
| 700 | 1 | |a Martin, Michael T., |e editor. | |
| 700 | 1 | |a Wall, David C., |e editor. | |
| 700 | 1 | |a Yaquinto, Marilyn, |e editor. | |
| 700 | 1 | 2 | |a Greenlee, Sam, |d 1930-2014. |t Spook who sat by the door. |
| 776 | 0 | 8 | |i Print version: |t Race and the revolutionary impulse in The spook who sat by the door. |d Bloomington : Indiana University Press, 2017 |z 9780253031754 |w (DLC) 2017015154 |
| 830 | 0 | |a Studies in the cinema of the Black diaspora. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2204p2v |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL5327251 | ||
| 938 | |a EBSCOhost |b EBSC |n 1742326 | ||
| 938 | |a Project MUSE |b MUSE |n muse59789 | ||
| 938 | |a YBP Library Services |b YANK |n 15041731 | ||
| 994 | |a 92 |b IZTAP | ||