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ReFocus. The films of Budd Boetticher /
One of the most important yet overlooked of Hollywood auteurs, Budd Boetticher was responsible for a number of classic films, including his famous ́⁰₈Ranowń⁰₉ series of westerns starring Randolph Scott. With influential figures like Martin Scorsese and Clint Eastwood acknowledging Boetticheŕ⁰₉s in...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
©2017.
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| Colección: | ReFocus, the American directors series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a ReFocus. |p The films of Budd Boetticher / |c edited by Gary D. Rhodes and Robert Singer. |
| 246 | 3 | 0 | |a Films of Budd Boetticher |
| 260 | |a Edinburgh : |b Edinburgh University Press, |c ©2017. | ||
| 300 | |a 1 online resource (x, 246 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a ReFocus: the American directors series | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a One of the most important yet overlooked of Hollywood auteurs, Budd Boetticher was responsible for a number of classic films, including his famous ́⁰₈Ranowń⁰₉ series of westerns starring Randolph Scott. With influential figures like Martin Scorsese and Clint Eastwood acknowledging Boetticheŕ⁰₉s influence, and with growing academic interest in his work, Gary D. Rhodes and Robert Singer present a vital collection of essays on the directoŕ⁰₉s long career, from a range of international scholars. Looking at celebrated films like Buchanan Rides Alone (1958) and Comanche Station (1960), as well as at lesser-known works like Escape in the Fog (1945) and Behind Locked Doors (1948), this book also addresses Boetticheŕ⁰₉s influential television work on the James Garner series Maverick, and Boetticheŕ⁰₉s continuing aesthetic influence on contemporary TV classics like Breaking Bad. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Notes on Contributors -- |t Introduction -- |t Part 1 The Non-Westerns -- |t Part 1 Introduction -- |t 1. "I never did think he was crazy": Mystery and Criminality in Boetticher's Psychological Noirs -- |t 2. On Ethics and Style in Bullfighter and the Lady (1951) -- |t 3. Domestic Tension and Male Hysteria: The Killer is Loose (1956) -- |t 4. The Killer is Loose (1956) and the Televisual Dissolution of Film Noir -- |t 5. Adventures on the Small Screen: Boetticher, Warner Bros., and Maverick -- |t 6. The Signifying Heel: Boetticher's The Rise and Fall of Legs Diamond (1960) -- |t Part 2 The Westerns -- |t Part 2 Introduction -- |t 7. The Ranown Cycle: Budd Boetticher's "New Look" Western Programmers in 1950s Hollywood -- |t 8. Framings, Motifs, and Floating Poker Games in Seven Men from Now (1956) -- |t 9. The Ranown Style: Mapping Textual Echoes -- |t 10. You Were Married, But You Never Had a Wife: The Use of Space in the Westerns of Budd Boetticher -- |t 11. Ideology and Boetticher's Westerns from the Late 1950s -- |t 12. Outlaws Without a Cause: Generational Conflict in Budd Boetticher's Ranown Cycle -- |t 13. The Box in the Desert: Budd Boetticher, Breaking Bad, and the Twenty-first-century Western -- |t Index |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Boetticher, Budd, |d 1916-2001 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Boetticher, Budd, |d 1916-2001. |2 fast |0 (OCoLC)fst01458935 |
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| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Rhodes, Gary Don, |d 1972- | |
| 700 | 1 | |a Singer, Robert, |d 1953 May 30- | |
| 776 | 0 | 8 | |i Print version: |z 9781474419031 |z 1474419038 |w (OCoLC)957140117 |
| 830 | 0 | |a ReFocus, the American directors series. | |
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