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161209s2016 pau ob 000 0 eng d |
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|a DEGRU
|b eng
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|c DEGRU
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|d JSTOR
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|a 968699918
|a 980262653
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|a 9781512800159
|q (electronic bk.)
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|a 1512800155
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|a 10.9783/9781512800159
|2 doi
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|a DEBBG
|b BV043979773
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|b 876688431
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|b 879434236
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|a (OCoLC)979970637
|z (OCoLC)968699918
|z (OCoLC)980262653
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|a 22573/ctv4scb9q
|b JSTOR
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|a e-sw---
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|a PS161.S9
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|a LIT004250
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|a LIT
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|a 810.9
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|a UAMI
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|a Anderson, Carl L.
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|a The Swedish Acceptance of American Literature /
|c Carl L. Anderson.
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|a Philadelphia, Pa. :
|b University of Pennsylvania Press,
|c [2016]
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|c ©1957
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a online resource
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|a text file
|b PDF
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|t Frontmatter --
|t Contents --
|t Preface --
|t List of Abbreviations Used --
|t CHAPTER 1. The Swedish Animus Against American Literature --
|t CHAPTER 2. Swedish Criticism Before 1920: The Reception of Jack London and Upton Sinclair --
|t CHAPTER 3. Swedish Criticism 1920-1930: The Reception of Sinclair Lewis --
|t CHAPTER 4. Swedish Criticism 1920-1930: The Reception of Lewis's Contemporaries --
|t CHAPTER 5. The Award of the Nobel Prize to Sinclair Lewis --
|t Bibliography and Appendixes --
|t Index
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|a In English.
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|a Online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016).
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|a In the decade following World War I, American literature won a large and enthusiastic reading public in Europe. With the exception of such writers as James Fenimore Cooper, Edgar Allan Poe, and Mark Twain, American literature had been virtually unknown before the war, yet, in 1930, Sweden awarded the Nobel Prize in literature to Sinclair Lewis, probably the most dramatic sign of the critical upheaval that had been taking place in European attitudes toward American culture. The Swedish Acceptance of American Literature is a study of this radical shift in opinion as it occurred in Sweden. It first examines the sources of the conventional prejudices against American Literature in vogue at the end of World War I. It then shows how these prejudices had been strengthened by the reaction of Swedish critics to Jack London and Upton Sinclair and how they became, paradoxically, the basis in the next decade of the enthusiastic reception accorded Sinclair Lewis, Theodore Dreiser, Edith Wharton, and other American writers. The book concludes by indicating some of the aftereffects in Sweden of the award of the Nobel Prize to Lewis.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a American literature
|x History and criticism.
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|a Criticism
|z Sweden.
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|a American fiction
|x Translations into Swedish
|x History and criticism.
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|a Critique
|z Suède.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a American literature.
|2 fast
|0 (OCoLC)fst00807113
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|a Criticism.
|2 fast
|0 (OCoLC)fst00883735
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|a Sweden.
|2 fast
|0 (OCoLC)fst01204537
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|z 9781512800142
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4v32g0
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9781512800159
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994 |
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|a 92
|b IZTAP
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