Cargando…

Romancing the Real : Folklore and Ethnographic Representation in North Africa /

One of the goals of the "new" or experimental ethnography is to illuminate the unique historical, social, and political situation of a people from their own multifaceted perspectives. As part of the effort to reach this goal, ethnographers are learning to listen in various keys to what mem...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Webber, Sabra J.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia, Pa. : University of Pennsylvania Press, [2016]
Colección:Publications of the American Folklore Society
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000Mi 4500
001 JSTOR_ocn979882559
003 OCoLC
005 20231005004200.0
006 m o d
007 cr |||||||||||
008 161209s2016 paua ob 000 0 eng d
040 |a DEGRU  |b eng  |e rda  |e pn  |c DEGRU  |d OCLCQ  |d JSTOR  |d OCLCF  |d LVT  |d AU@  |d OCL  |d OCLCQ  |d OCL  |d OCLCO  |d OCLCQ  |d OCLCO  |d DEGRU 
019 |a 968697520  |a 980291744 
020 |a 9781512808254  |q (electronic bk.) 
020 |a 1512808253  |q (electronic bk.) 
024 7 |a 10.9783/9781512808254  |2 doi 
029 1 |a DEBBG  |b BV043980257 
029 1 |a GBVCP  |b 1048984524 
029 1 |a GBVCP  |b 879439149 
035 |a (OCoLC)979882559  |z (OCoLC)968697520  |z (OCoLC)980291744 
037 |a 22573/ctv4rvqhz  |b JSTOR 
043 |a f-ti---  |a ff----- 
050 4 |a GR353.52.Q53 
072 7 |a SOC002000  |2 bisacsh 
072 7 |a SOC  |x 002000  |2 bisacsh 
082 0 4 |a 398.09611  |2 21 
049 |a UAMI 
100 1 |a Webber, Sabra J. 
245 1 0 |a Romancing the Real :  |b Folklore and Ethnographic Representation in North Africa /  |c Sabra J. Webber. 
264 1 |a Philadelphia, Pa. :  |b University of Pennsylvania Press,  |c [2016] 
264 4 |c ©1991 
300 |a 1 online resource :  |b 5 illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 0 |a Publications of the American Folklore Society 
505 0 0 |t Frontmatter --  |t Contents --  |t Illustrations --  |t Acknowledgments --  |t Preface: The Presence of the Past or Romancing the Real --  |t Notes on Transliteration and Performative Aspects of Narration --  |t Introduction: Hikayat and Social "Structures of Feeling" --  |t 1. Kelibia in Space and Time --  |t 2. The Structure of Male Storytelling Events --  |t 3. Dramatis Personae: Walis, Dervishes, Heroes, and Clowns --  |t 4. In Defense of (Maghribi) Folklore --  |t Final Remarks --  |t Appendix: Transliterated Dialogues --  |t References --  |t Subject Index 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016). 
520 |a One of the goals of the "new" or experimental ethnography is to illuminate the unique historical, social, and political situation of a people from their own multifaceted perspectives. As part of the effort to reach this goal, ethnographers are learning to listen in various keys to what members of society under study have to say about themselves and about their place in the world.In Romancing the Real, Sabra J. Webber argues that folklore-traditional aesthetic culture-is of central importance to the new ethnography. It is by becoming cultured in a people's traditional art forms that the ethnographer can come closest to an unmediated hearing of the individual voices of community members and to an understanding of how community "affect" is shaped and shared rhetorically. She contends that traditional verbal art does more than reflect a culture from its members' points of view: it is one of the means by which members comment upon change and recreate their culture. It is also a powerful resource through which they respond to the ethnographer and what the ethnographer represents.Drawing on over five years of field research conducted between 1967 and 1987 in Kelibia, a town on the northeastern coast of Tunisia, Webber offers insights into the community gained through the study of its folk communicative resources and especially through study of the hikayah, a colloquial Arabic verbal art genre that resembles the western genres of local history or personal experience narrative. She demonstrates that Kelibians draw upon hikayat to cope creatively with both the destabilizing and the energizing facets of centuries of frequent, rarely controlled or invited, contact with outsiders. She finds that older community members use the art form to romance (not romanticize) their town and thus address important communal issues like colonialism. Webber discusses a marginalized town in the context of a marginalized discipline, folklore; an often devalued language, colloquial Arabic; and a frequently underestimated cultural domain, "affect," to demonstrate that a re-perception of each can yield rich insights into the centripetal forces that supposedly powerless communities can draw upon for empowerment. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Tales  |z Tunisia  |z Qulaybīyah. 
650 0 |a Oral tradition  |z Tunisia  |z Qulaybīyah. 
650 0 |a Folklore  |z Africa, North. 
651 0 |a Qulaybīyah (Tunisia)  |x History. 
651 0 |a Qulaybīyah (Tunisia)  |x Social life and customs. 
650 6 |a Contes  |z Tunisie  |z Kelibia. 
650 6 |a Tradition orale  |z Tunisie  |z Kelibia. 
650 6 |a Folklore  |z Afrique du Nord. 
650 7 |a SOCIAL SCIENCE  |x Anthropology  |x General.  |2 bisacsh 
650 7 |a Folklore  |2 fast 
650 7 |a Manners and customs  |2 fast 
650 7 |a Oral tradition  |2 fast 
650 7 |a Tales  |2 fast 
651 7 |a North Africa  |2 fast 
651 7 |a Tunisia  |z Qulaybīyah  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |z 9780812282368 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4s7mcm  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9781512808254 
994 |a 92  |b IZTAP