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Poetic Will : Shakespeare and the Play of Language /
The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will--his sexual desire, conscious...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Philadelphia, Pa. :
University of Pennsylvania Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Willbern, David. | |
| 245 | 1 | 0 | |a Poetic Will : |b Shakespeare and the Play of Language / |c David Willbern. |
| 264 | 1 | |a Philadelphia, Pa. : |b University of Pennsylvania Press, |c [2016] | |
| 264 | 4 | |c ©1997 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Prologue: Cordelia's Skirt -- |t Introduction: Hamlet's Inky Cloak -- |t 1. Limitations of Character, Limits of Language -- |t 2. Paranoia, Criticism, and Malvolio -- |t 3. Pushing the Envelope: Supersonic Criticism -- |t 4. The Famous Analyses of Henry the Fourth -- |t 5 Hyperbolic Desire: Shakespeare's Lucrece -- |t 6 Phantasmagoric Macbeth -- |t 7 Shakespeare's Nothing -- |t 8 What Is Shakespeare? -- |t Epilogue: Yorick's Skull, Miranda's Memory -- |t Notes -- |t Index -- |t Permissions |
| 520 | |a The essence of Shakespeare, observes David Willbern, is in the details. What matters most in our appreciation of Hamlet is not the staged play but the play of language we find in the words of the Bard. This book explores the expressions of Shakespeare's poetic will--his sexual desire, conscious and unconscious volition, and posthumous legacy--within the linguistic matrix that enfolds his characters and readers. Using a combination of psychoanalytic approaches, Willbern rescues Shakespeare from the limitations and distortions of dramatic performance by showing that his language, scenes, and characters are propelled by the genius of this will and need to be understood primarily as written narrative. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from PDF title page (publisher's Web site, viewed Dec. 09, 2016). | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Literary style. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 0 | |a English language |y Early modern, 1500-1700 |x Semantics. | |
| 650 | 0 | |a English language |y Early modern, 1500-1700 |x Style. | |
| 650 | 0 | |a Plays on words. | |
| 650 | 6 | |a Anglais (Langue) |y 1500-1700 (Moderne) |x Sémantique. | |
| 650 | 6 | |a Mots d'esprit et jeux de mots. | |
| 650 | 7 | |a LITERARY CRITICISM |x Shakespeare. |2 bisacsh | |
| 650 | 7 | |a English language |x Early modern |x Semantics |2 fast | |
| 650 | 7 | |a English language |x Early modern |x Style |2 fast | |
| 650 | 7 | |a Literary style |2 fast | |
| 650 | 7 | |a Plays on words |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9780812233896 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv4rfv5z |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9781512809374 | ||
| 994 | |a 92 |b IZTAP | ||