Indie reframed : women's filmmaking and contemporary American independent cinema /

Explores the films, practitioners, production and distribution contexts that currently represent American women's independent cinemaWith the consolidation of ÃǾ²Ơ℗indie' culture in the 21st century, female filmmakers face an increasingly indifferent climate. Within this sector, women wor...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Badley, Linda (Editor ), Perkins, Claire (Claire Elizabeth) (Editor ), Schreiber, Michele (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2016]
Colección:Traditions in American cinema.
Temas:
1900-2099
Independent films > United States > History and criticism.
Women motion picture producers and directors > United States.
Motion picture industry > United States > History > 20th century.
Motion picture industry > United States > History > 21st century.
Films indépendants > États-Unis > Histoire et critique.
Productrices et réalisatrices de cinéma > États-Unis.
Cinéma > Industrie > États-Unis > Histoire > 20e siècle.
Cinéma > Industrie > États-Unis > Histoire > 21e siècle.
PERFORMING ARTS > Film & Video > Reference.
Independent films
Motion picture industry
Women motion picture producers and directors
United States
Electronic books.
Criticism, interpretation, etc.
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • pt. I PRODUCTION AND DISTRIBUTION CONTEXTS
  • 1. Women Make Movies: Chicken & Egg Pictures, Gamechanger Films and the Future of Female Independent Filmmaking / Sarah E.S. Sinwell
  • 2. Killer Feminism / Patricia White
  • 3. `A Woman with an Endgame': Megan Ellison, Annapurna Pictures and American Independent Film Production / James Lyons
  • 4. Susan Seidelman's Contemporary Films: The Feminist Art of Self-reinvention in a Changing Technological Landscape / Christina Lane
  • 5. `I'm Absolutely the Right Person for this Job': Allison Anders and Mary Harron on Lifetime Television / Michele Schreiber
  • pt. II GENRES AND MODALITIES
  • 6. Gender, Genre and More General Indie Dimensions in Megan Griffiths' The Off Hours and Eden / Geoff King
  • 7. Down to the Bone: Neo-neorealism and Genre in Contemporary Women's Indies / Linda Badley
  • 8. My Effortless Brilliance: Women's Mumblecore / Claire Perkins
  • 9. Black Women, Romance and the Indiewood Rom Coms of Sanaa Hamri / Shelley Cobb
  • pt. III IDENTITIES
  • 10. From Documentary to Fictional Realism: Mira Nair's Documentary Roots, Fictional Home and Production Politics / Kent A. Ono
  • 11. Having its Cake and Eating it Too: Contemporary American `Indie' Cinema and My Big Fat Greek Wedding Reframed / Lydia Papadimitriou
  • 12. Not Just Indie: A Look at Films by Dee Rees, Ava DuVernay and Kasi Lemmons / Cynthia Baron
  • 13. Sexual In-betweener/Industry In-betweener: The Career and Films of Lisa Cholodenko / Maria San Filippo
  • 14. Miranda July and the New Twenty-first-century Indie / Kathleen A. McHugh
  • pt. IV COLLABORATIONS
  • 15. Mutual Muses in American Independent Film: Catherine Keener and Nicole Holofcener, Michelle Williams and Kelly Reichardt / Chris Holmlund
  • 16. The Feminist Politics of Collaboration in Lena Dunham's Tiny Furniture / Corinn Columpar
  • 17. The Director as Facilitator: Collaboration, Cooperation and the Gender Politics of the Set / John Alberti
  • 18. Beyond the Screen: On Contemporary Feminist Media Re-articulations / Patricia R. Zimmermann.

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