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Acting and Performance in Moving Image Culture : Bodies, Screens, Renderings. With a Foreword by Lesley Stern /
This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
[2012]
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| Colección: | Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ;
7 |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9783839416488 |q (electronic bk.) | ||
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| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Acting and Performance in Moving Image Culture : |b Bodies, Screens, Renderings. With a Foreword by Lesley Stern / |c edited by Jörg Sternagel, Deborah Levitt, Dieter Mersch. |
| 264 | 1 | |a Bielefeld : |b Transcript Verlag, |c [2012] | |
| 264 | 4 | |c ©2012 | |
| 300 | |a 1 online resource (488 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Metabasis - Transkriptionen zwischen Literaturen, Künsten und Medien ; |v 7 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Editorial -- |t Contents -- |t »: lways Too Small or Too Tall9 : Rescaling Screen Performance / |r Stern, Lesley -- |t Etymological Uncoveries, Creative Displays: Acting as Force and Performance as Eloquence in Moving Image Culture / |r Sternagel, Jörg ; Levitt, Deborah ; Mersch, Dieter -- |t Spectacular Acting: On the Exhibitionist Dynamics of Film Star Performance / |r McDonald, Paul -- |t Cary Grant: Acting Style and Genre in Classical Hollywood Cinema / |r Glitre, Kathrina -- |t Mimesis and Narration: The Performance of Actors and Cinematic Point of View in The Lady Eve and The Virgin Suicides / |r Hovland, Ceri -- |t Postfeminist Portrayals of Masculinity and Femininity in Action Films: Mr. & Mrs. Smith / |r Adamou, Christina -- |t Quantum of Craig: Daniel Craig and the Body of the New Bond / |r Omry, Keren -- |t Actor/Character Dualism: The Case of Luis Buñuel's Paradoxical Characters / |r Riis, Johannes -- |t Frames for Ambivalence: Acting out Realism in Italian Neorealism and the Films of Christian Petzold / |r Distelmeyer, Jan -- |t The Actor as an Icon of Presence: The Example of Delphine Seyrig / |r Nacache, Jacqueline -- |t Living Pictures: From Tableaux Vivants to Puppets and Para-Selves / |r Levitt, Deborah -- |t All about Gena, Myrtle and Virginia: The Transitional Nature of Actress, Role and Character / |r Hagener, Malte -- |t A Surrealist Turn: Transformative Gestures in The Birds / |r Barker, Jennifer M. -- |t Berlin Alexanderplatz: The Becoming-Violence of Performance / |r Río, Elena del -- |t Dangerous Liaisons and Counterfeit Affections: Cinema as Seduction / |r Laine, Tarja -- |t An Inscrutable Face: Nicole Kidman in Dogville / |r Schaub, Mirjam -- |t Character-Witness, Actor-Medium / |r Åkervall, Lisa -- |t Between Image and Volatility: Framing Motion in Dance and Film / |r Foellmer, Susanne -- |t The Temporal Dimensions of Screen Performances: Exploring Expressive Movement in Live Action and Animated Film / |r Baron, Cynthia -- |t Carnicke Emotional Expressivity in Motion Picture Capture Technology / |r Marie, Sharon -- |t Going Native with Pandora's (Tool) Box: Spiritual and Technological Conversions in James Cameron's Avatar / |r Tobias, James -- |t Double Negative: The Actor, the Non- Actor, and the Animated Documentary / |r Beckman, Karen -- |t Bodies of Light: Towards a Theory about Film Acting from a Communicative Perspective / |r Schoenmakers, Henri -- |t Thinking through Acting: Performative Indices and Philosophical Assertions / |r Taylor, Aaron -- |t An Emphasis on Being: Moving towards a Responsive Phenomenology of Film('s) Performance / |r S, Jörg -- |t Being on the Screen: A Phenomenology of Cinematic Flesh, or the Actor's Four Bodies / |r Sobchack, Vivian -- |t Passion and Exposure: New Paradoxes of the Actor / |r Mersch, Dieter -- |t Contributors. |
| 520 | |a This volume offers transdisciplinary perspectives on the study of acting and performance in moving image forms. It assembles 26 international scholars from dance, theatre, film, media and cultural studies, art history and philosophy to investigate the art of acting and the presence of the human body in analog and digital film, animation and video art. The volume includes classical case studies and essays devoted to acting history and acting and genres, but its particular emphasis is on introducing a wide range of groundbreaking theoretical approaches - from continental and analytic philosophy to new media theory and cognitivist research - all of which interrogate the fundamental conceptions of "act" and "actor" that underwrite both popular and academic notions of performance in moving image culture. | ||
| 545 | |a Jörg Sternagel (PhD) teaches Media Studies at the University of Potsdam. His research focus is media and phenomenology. Deborah Levitt is Assistant Professor in Culture and Media Studies at Eugene Lang College, The New School, New York City. She is a media historian and theorist. Her research focuses on media, biopolitics, and rhetorics of life. Dieter Mersch is Professor in Media Theory and Media Studies at the University of Potsdam. His main research interests are the philosophy of media, language, and art. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Online resource; title from PDF title page (ACM, viewed April 03 2015). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion picture acting. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Performance art |x Philosophy. | |
| 650 | 6 | |a Art de l'acteur au cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 7 | |a Motion picture acting. |2 fast |0 (OCoLC)fst01027093 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Film. |2 gnd | |
| 650 | 7 | |a Schauspielkunst |2 gnd | |
| 700 | 1 | |a Levitt, Deborah, |e editor. | |
| 700 | 1 | |a Mersch, Dieter, |e editor. | |
| 700 | 1 | |a Sternagel, Jörg, |e editor. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371bwbj |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH26003555 | ||
| 938 | |a De Gruyter |b DEGR |n 9783839416488 | ||
| 938 | |a EBSCOhost |b EBSC |n 883942 | ||
| 994 | |a 92 |b IZTAP | ||