A Theater of Diplomacy : International Relations and the Performing Arts in Early Modern France.

In A Theater of Diplomacy, Ellen R. Welch argues that theater served not merely as a decorative accompaniment to negotiations, but rather underpinned the practices of embodied representation, performance, and spectatorship that constituted the culture of diplomacy in this period.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Welch, Ellen R.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Philadelphia : University of Pennsylvania Press, Inc., 2017.
Colección:Haney Foundation series.
Temas:
1500-1799
Cultural diplomacy > France > History > 16th century.
Cultural diplomacy > France > History > 17th century.
Cultural diplomacy > France > History > 18th century.
Performing arts > Political aspects > France > History > 16th century.
Performing arts > Political aspects > France > History > 17th century.
Performing arts > Political aspects > France > History > 18th century.
Diplomatie culturelle > France > Histoire > 16e siècle.
Diplomatie culturelle > France > Histoire > 17e siècle.
Diplomatie culturelle > France > Histoire > 18e siècle.
Arts du spectacle > Aspect politique > France > Histoire > 16e siècle.
Arts du spectacle > Aspect politique > France > Histoire > 17e siècle.
Arts du spectacle > Aspect politique > France > Histoire > 18e siècle.
POLITICAL SCIENCE > Government > International.
POLITICAL SCIENCE > International Relations > General.
HISTORY > Renaissance.
Diplomatic relations
Cultural diplomacy
Performing arts > Political aspects
France > Foreign relations > History > 16th century.
France > Foreign relations > History > 17th century.
France > Foreign relations > History > 18th century.
France > Relations extérieures > Histoire > 16e siècle.
France > Relations extérieures > Histoire > 17e siècle.
France > Relations extérieures > Histoire > 18e siècle.
France
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Introduction
  • Chapter 1. Orchestrating Dissonant Concord in the Bayonne Entertainments (1565)
  • Chapter 2. The Ambassador's Point of View, from London to Paris (1608-9)
  • Chapter 3. National Actors on the Ballet Stage (1620s-30s)
  • Chapter 4. Richelieu's Allegories of War (1639-42)
  • Chapter 5. Ballet Diplomacy at the Congress of Westphalia (1645-49)
  • Chapter 6. Entertaining Personalities at Louis XIV's Court (1653-69)
  • Chapter 7. Exotic Audiences (1668-1715)
  • Chapter 8. Diplomacy on the Public Stage (1697-1714)
  • Conclusion
  • Notes
  • Bibliography
  • Index
  • Acknowledgments.

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