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170321s2017 ilu ob 001 0 eng |
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|a 2017013369
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|a 1175624601
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|a 9780252099908
|q (ebook)
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|a 787.8/8192
|2 23
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|a UAMI
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|a Jones-Bamman, Richard,
|d 1951-
|e author.
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|a Building new banjos for an old-time world /
|c Richard Jones-Bamman.
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|a Urbana, Illinois :
|b University of Illinois Press,
|c 2017.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b n
|2 rdamedia
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|a online resource
|b nc
|2 rdacarrier
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|a Folklore studies in a multicultural world
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|a Includes bibliographical references and index.
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|a Print version record and CIP data provided by publisher.
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|a Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 A Brief History of the Banjo -- 2 The Old-Time Nation -- 3 God Is in the Details -- 4 An Homage to the Past -- 5 An Apprentice to Ghosts -- 6 The Banjoâ#x80;#x99;s Evolving Story -- Appendix 1. List of Interviewees -- Appendix 2. Banjo Builder Websites -- Notes -- Bibliography
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|a Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads-asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making. He also delves into the omission of African Americans-the originators of the banjo-from both the instrument's popular history and the nostalgia engendered by the music, and the role contemporary banjo builders are playing to rectify this situation. Book jacket.
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|a JSTOR
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Banjo
|x Construction.
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|a Banjo makers
|z United States.
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|a Old-time music
|x History and criticism.
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|a Banjo music
|z United States
|x History and criticism.
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|a Banjo
|x Facture.
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|a Banjo, Musique de
|z États-Unis
|x Histoire et critique.
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|a MUSIC
|x Musical Instruments
|x Strings.
|2 bisacsh
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|a MUSIC
|x Musical Instruments
|x General.
|2 bisacsh
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|a Banjo
|x Construction.
|2 fast
|0 (OCoLC)fst00826562
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|a Banjo makers.
|2 fast
|0 (OCoLC)fst00826571
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|a Banjo music.
|2 fast
|0 (OCoLC)fst00826572
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|a Old-time music.
|2 fast
|0 (OCoLC)fst01045395
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Jones-Bamman, Richard, 1951-
|t Building new banjos for an old-time world.
|d Urbana, Illinois : University of Illinois Press, 2017
|z 9780252041303
|w (DLC) 2017011677
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830 |
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0 |
|a Folklore studies in a multicultural world.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.5406/j.ctt1vjqrn7
|z Texto completo
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