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Building new banjos for an old-time world /

Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads-asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Jones-Bamman, Richard, 1951- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana, Illinois : University of Illinois Press, 2017.
Colección:Folklore studies in a multicultural world.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Jones-Bamman, Richard,  |d 1951-  |e author. 
245 1 0 |a Building new banjos for an old-time world /  |c Richard Jones-Bamman. 
264 1 |a Urbana, Illinois :  |b University of Illinois Press,  |c 2017. 
300 |a 1 online resource 
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504 |a Includes bibliographical references and index. 
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505 0 |a Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1 A Brief History of the Banjo -- 2 The Old-Time Nation -- 3 God Is in the Details -- 4 An Homage to the Past -- 5 An Apprentice to Ghosts -- 6 The Banjoâ#x80;#x99;s Evolving Story -- Appendix 1. List of Interviewees -- Appendix 2. Banjo Builder Websites -- Notes -- Bibliography 
520 |a Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads-asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making. He also delves into the omission of African Americans-the originators of the banjo-from both the instrument's popular history and the nostalgia engendered by the music, and the role contemporary banjo builders are playing to rectify this situation. Book jacket. 
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650 0 |a Banjo  |x Construction. 
650 0 |a Banjo makers  |z United States. 
650 0 |a Old-time music  |x History and criticism. 
650 0 |a Banjo music  |z United States  |x History and criticism. 
650 6 |a Banjo  |x Facture. 
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655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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