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Prehistoric art as prehistoric culture : studies in honour of Professor Rodrigo de Balbín-Behrmann /
Professor Rodrigo de Balbín has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this i...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Archaeopress Publishing Ltd,
[2015]
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| Colección: | Archaeopress archaeology.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Prehistoric art as prehistoric culture : |b studies in honour of Professor Rodrigo de Balbín-Behrmann / |c edited by Primitiva Bueno-Ramírez and Paul G. Bahn. |
| 264 | 1 | |a Oxford : |b Archaeopress Publishing Ltd, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Archaeopress archaeology | |
| 520 | 8 | |a Professor Rodrigo de Balbín has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this imagery. The diverse papers in this volume, published in Professor de Balbín's honour, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere. The result is a new and more realistic assessment of the social and symbolic framework of human groups from 40,000 BP onwards. | |
| 521 | |a Specialized. | ||
| 588 | 0 | |a Online resource; title from home page (viewed on March 9, 2016). | |
| 500 | |a Available through Archaeopress Digital Subscription Service. | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Prehistoric Art as Prehistoric Culture (Primitiva Bueno-Ramírez and Paul Bahn); 'Science' versus Archaeology: Palaeolithic Rock Art at the beginning of the 21st century (José-Javier Alcolea-González and César González-Sainz); Raman spectroscopy of prehistoric pictorial materials (Antonio Hernanz); Prehistoric rock art and non-invasive analysis. Rouffignac as a case study (Patrick Paillet); Reasoning processes in prehistoric art interpretation (Sophie A. de Beaune); Are hand stencils in European cave art older than we think? An evaluation of the existing data and their potential implications (Paul Pettitt, Pablo Arias, Marcos García-Diez, Dirk Hoffmann, Alfredo Maximiano Castillejo, Roberto Ontañon-Peredo, Alistair Pike and João Zilhão); Regional ontologies in the Early Upper Palaeolithic: the place of mammoth and cave lion in the 'belief world' (Glaubenswelt) of the Swabian Aurignacian (Shumon T. Hussain and Harald Floss); Aurignacian art in the caves and rock-shelters of Aquitaine (France) (Brigitte and Gilles Delluc); Fuente del Trucho, Huesca (Spain): Reading interaction in Palaeolithic art (Pilar Utrilla and Manuel Bea); Open-air Ice Age art: the history and reluctant acceptance of an unexpected phenomenon (Paul G. Bahn); Decorated sites and habitat: social appropriation of territories (Denis Vialou); Deep caves, ritual and graphic expression: a critical review of the archaeological evidence on hypogean human activity during the Upper Palaeolithic/Magdalenian (Pablo Arias); Magdalenian settlement-subsistence systems in Cantabrian Spain: contributions from El Mirón Cave (Lawrence G. Straus, Manuel González Morales, Ana B. Marín-Arroyo and Lisa M. Fontes); The Upper Palaeolithic rock art of Portugal in its Iberian context (André Tomás Santos, Maria de Jesus Sanches and Joana Castro Teixeira); Old panels and new readings. La Pileta and pre-Solutrean graphics in Southern Iberia (Miguel Cortés Sánchez, María D. Simón Vallejo, Rubén Parrilla Giráldez, and Lydia Calle Román); Palaeolithic art in the Iberian Mediterranean region. Characteristics and territorial variation (Valentín Villaverde); Small seeds for big debates: Past and present contributions to Palaeoart studies from North-eastern Iberia (José María Fullola, Ines Domingo, Didac Román, María Pilar García-Argüelles, Marcos García-Díez and Jorge Nadal); Throwing light on the hidden corners. New data on Palaeolithic art from NW Iberia (Ramón Fábregas Valcarce, Arturo de Lombera-Hermida, Ramón Viñas Vallverdú, Xose Pedro Rodríguez-Álvarez, and Sofia Soares Figueiredo). | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Art, Prehistoric. | |
| 650 | 6 | |a Art préhistorique. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Archaeology. |2 bisacsh | |
| 650 | 7 | |a Art, Prehistoric. |2 fast |0 (OCoLC)fst00816761 | |
| 700 | 1 | |a Bueno Ramírez, Primitiva, |e editor. | |
| 700 | 1 | |a Bahn, Paul G., |e editor. | |
| 700 | 1 | |a Balbín Behrmann, R. de |q (Rodrigo), |e honouree. | |
| 710 | 2 | |a Archaeopress, |e publisher. | |
| 776 | 0 | 8 | |i Print version: |z 9781784912222 |
| 830 | 0 | |a Archaeopress archaeology. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr43m2m |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH30458370 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5962755 | ||
| 938 | |a EBSCOhost |b EBSC |n 2295632 | ||
| 938 | |a YBP Library Services |b YANK |n 16514581 | ||
| 994 | |a 92 |b IZTAP | ||