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Word becomes image : openwork vessels as a reflection of late antique transformation /
This study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late A...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Archaeopress Publishing Ltd,
[2015]
|
| Colección: | Archaeopress archaeology.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn976020841 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 150617t20152015enka fob 000 0 eng d | ||
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| 015 | |a GBC0F8359 |2 bnb | ||
| 016 | 7 | |a 019967477 |2 Uk | |
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| 020 | |a 1784911305 | ||
| 020 | |a 9781784911300 |q (electronic bk.) | ||
| 024 | 3 | |a 9781784911300 | |
| 029 | 1 | |a AU@ |b 000066193468 | |
| 029 | 1 | |a UKMGB |b 019967477 | |
| 035 | |a (OCoLC)976020841 |z (OCoLC)1125267184 |z (OCoLC)1125974151 |z (OCoLC)1175645235 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Meredith, Hallie, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Word becomes image : |b openwork vessels as a reflection of late antique transformation / |c Hallie G. Meredith. |
| 264 | 1 | |a Oxford : |b Archaeopress Publishing Ltd, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource : |b illustrations (black and white). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Archaeopress archaeology | |
| 504 | |a Includes bibliographical references. | ||
| 520 | 8 | |a This study presents a diachronic investigation providing a rich case study as well as an approach tracing the contours of a category of Roman material culture defined by the Roman period technique of openwork carving. As the first comprehensive assemblage of openwork vessels from Classical to late Antiquity, this work offers primary evidence documenting a key example of the fundamental shift from naturalism to abstraction in which inscriptions are transformed and word becomes image. A glass blower herself, Hallie Meredith poses questions about process, tactility and reception providing a clear picture of the original contexts of production and reception demonstrated by the Roman technique of openwork carving. | |
| 521 | |a Specialized. | ||
| 588 | 0 | |a Online resource; title from home page (viewed on March 15, 2016). | |
| 500 | |a Available through Archaeopress Digital Subscription Service. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Carving (Decorative arts) |z Italy |z Rome. | |
| 651 | 0 | |a Rome (Italy) |x Antiquities. | |
| 650 | 6 | |a Sculpture (Arts décoratifs) |z Italie |z Rome. | |
| 651 | 6 | |a Rome (Italie) |x Antiquités. | |
| 650 | 7 | |a SOCIAL SCIENCE / Archaeology |2 bisacsh | |
| 650 | 7 | |a Antiquities. |2 fast |0 (OCoLC)fst00810745 | |
| 650 | 7 | |a Carving (Decorative arts) |2 fast |0 (OCoLC)fst00848108 | |
| 651 | 7 | |a Italy |z Rome. |2 fast |0 (OCoLC)fst01204500 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 4 | |a Electronic books. | |
| 710 | 2 | |a Archaeopress, |e publisher. | |
| 776 | 0 | 8 | |i Print version: |z 9781784911294 |
| 830 | 0 | |a Archaeopress archaeology. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr43m0n |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH29875079 | ||
| 938 | |a YBP Library Services |b YANK |n 16514557 | ||
| 938 | |a EBSCOhost |b EBSC |n 2295645 | ||
| 994 | |a 92 |b IZTAP | ||