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Screening nostalgia.

The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st centu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Alexandra Ludewig
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Place of publication not identified] : Transcript-Verlag, 2014.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Screening nostalgia. 
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505 0 0 |t Frontmatter --  |t Contents --  |t Acknowledgements /  |r Ludewig, Alexandra --  |t Introduction --  |t 1. Heimat-Towards a Definition --  |t 2. Heimat-Film and Genre --  |t 3. Mountain Films --  |t 4. Nazi Heimat Films --  |t 5. Post-War Heimat Films --  |t 6. Critical Heimat Films --  |t 7. Positive (Re- )Discoveries of Heimat --  |t 8. Ambivalent Heimat Films --  |t 9. Hyphenated Heimat --  |t Conclusion --  |t Bibliography --  |t Index of Film Directors 
520 |a The Heimat film genre, assumed to be outdated by so many, is very much alive. Who would have thought that this genre - which has been almost unanimously denounced within academic circles, but which seems to resonate so deeply with the general public - would experience a renaissance in the 21st century? The genre's recent resurgence is perhaps due less to an obsession with generic storylines and stereotyped figures than to a basic human need for grounding that has resulted in a passionate debate about issues of past and present. This book traces the history of the Heimat film genre from the early mountain films to Fatih Akin's contemporary interpretations of Heimat. 
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