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Consuming music : individuals, institutions, communities, 1730-1830 /

The successful sale and distribution of music has always depended on both a physical and a social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Green, Emily (Editor ), Mayes, Catherine, 1979- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, [2017].
Colección:Eastman studies in music.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Music's first consumers : publishers in the late eighteenth century / Emily H. Green
  • Inside a Viennese Kunsthandlung : Artaria in 1784 / Rupert Ridgewell
  • Morality and the "fair-sexing" of Telemann's faithful music master / Steven Zohn
  • Eighteenth-century mediations of music theory : meter, tempo, and affect in print / Roger Mathew Grant
  • Musical style as commercial strategy in Romantic chamber music / Marie Sumner Lott
  • In Vienna "only waltzes get printed" : the decline and transformation of the Contredanse Hongroise in the early nineteenth century / Catherine Mayes
  • The power to please : gender and celebrity self-commodification in the early American republic / Glenda Goodman
  • Exchanging ideas in a changing world : Adolph Bernhard Marz and the Berliner allgemeine musikalische Zeitung in 1824 / Patrick Wood Uribe
  • Parisian opera between commons and commodity, ca. 1830 / Peter Mondelli.