Frankie and Johnny : race, gender, and the work of African American folklore in 1930s America /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morgan, Stacy I., 1970- (Autor)
Formato: Documento de Gobierno Electrónico eBook
Idioma:Inglés
Publicado: Austin : University of Texas Press, 2017.
Edición:First edition.
Temas:
African Americans > Folklore.
African Americans > Race identity.
Sex role > United States.
Popular music > United States > History and criticism.
Music > Social aspects > United States > History and criticism.
Popular music > United States > African influences.
Folk songs, English > United States.
Noirs américains > Folklore.
Noirs américains > Identité ethnique.
Rôle selon le sexe > États-Unis.
Musique populaire > États-Unis > Histoire et critique.
Musique > Aspect social > États-Unis > Histoire et critique.
Musique populaire > États-Unis > Influence africaine.
SOCIAL SCIENCE > Folklore & Mythology.
HISTORY / United States / 20th Century
African Americans
African Americans > Race identity
Folk songs, English
Music > Social aspects
Popular music
Popular music > African influences
Sex role
United States
Criticism, interpretation, etc.
Folklore
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frankie and Johnny take center stage : African American folk culture in 1930s America
  • Lead Belly's Ninth Symphony : Huddie Ledbetter and the changing contours of American folk music
  • Pistol Packin' Mama: imperiled masculinity in Thomas Hart Benton's a social history of the state of Missouri
  • Whiteface Marionettes: John Huston's comic melodrama
  • The finest woman ever to walk the streets : Mae West's outlaw exploits in She Done Him Wrong
  • The lynching of Johnny : Sterling Brown's social realist critique
  • Epilogue. African American women's voices and the tightrope of respectability.

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