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The off-screen : an investigation of the cinematic frame /
By focusing on what is outside the frame, this book offers a comprehensive theory of film, a concise history of American cinema, and a reflection on the place and significance of film within the arts of modernity in general.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Stanford, California :
Stanford University Press,
2017.
|
| Colección: | Meridian (Stanford, Calif.)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Peretz, Eyal, |d 1968- |e author. | |
| 245 | 1 | 4 | |a The off-screen : |b an investigation of the cinematic frame / |c Eyal Peretz. |
| 263 | |a 1702 | ||
| 264 | 1 | |a Stanford, California : |b Stanford University Press, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Meridian: crossing aesthetics | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a On the origin of film and the resurrection of the people : D.W. Griffith's Intolerance -- The actor of the crowd : The great dictator -- Howard Hawks' idea of genre -- What is a cinema of Jewish vengeance? : Tarantino's Inglourious basterds. | |
| 588 | 0 | |a Print version record and CIP data provided by publisher; resource not viewed. | |
| 520 | |a By focusing on what is outside the frame, this book offers a comprehensive theory of film, a concise history of American cinema, and a reflection on the place and significance of film within the arts of modernity in general. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Framing (Cinematography) | |
| 650 | 0 | |a Motion pictures |z United States |x History. | |
| 650 | 6 | |a Cinéma |z États-Unis |x Histoire. | |
| 650 | 6 | |a Cinéma |x Philosophie. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Framing (Cinematography) |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |x Philosophy |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Peretz, Eyal, 1968- |t Off-screen. |d Stanford, California : Stanford University Press, 2017 |z 9781503600720 |w (DLC) 2016050945 |
| 830 | 0 | |a Meridian (Stanford, Calif.) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvqsdzf0 |z Texto completo |
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| 938 | |a Internet Archive |b INAR |n offscreeninvesti0000pere | ||
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