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Callimachus and His Critics.
Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, sugg...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton University Press,
2017.
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| Colección: | Princeton legacy library.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 505 | 0 | 0 | |t Frontmatter -- |t Content -- |t Preface -- |t Frequently Used Abbreviations -- |t Chronologia Callimachea -- |t Chapter I. Cyrene, Court and Kings -- |t Chapter II. The Ivory Tower -- |t Chapter III. The Symposium -- |t Chapter IV. Prologue and Dream -- |t Chapter V. The Ician Guest -- |t Chapter VI. Epilogue and Iambi -- |t Chapter VII. Callimachus Senex -- |t Chapter VIII. The Telchines -- |t Chapter IX. Mistresses and Dates -- |t Chapter X. Hellenistic Epic -- |t Chapter XI. Fat Ladies -- |t Chapter XII. One Continuous Poem -- |t Chapter XIII. Hesiodic Elegy -- |t Chapter XIV. The Cyclic Poem -- |t Chapter XV. The Hymn to Apollo -- |t Chapter XV. The Hymn to Apollo -- |t Chapter XVII. Hecale and Epyllion -- |t Chapter XVIII. Vergil and the Augustan Recusatio -- |t Appendix A. Hedylus and Lyde -- |t Appendix B. Thin Gentlemen -- |t Appendix C. Asclepiades's Girlfriends -- |t Bibliography -- |t Index -- |t Index Locorum. |
| 520 | |a Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, suggests a very different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works, and interrelationships of most of the other leading poets of the age. Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron shows that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study simply never existed. Elegy was the fashionable genre of the age, and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegiac narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
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| 600 | 0 | 1 | |a Callimachus |x Criticism and interpretation |x History. |
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