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Closure in the Novel.
Drawing on a wide range of nineteenth- and twentieth-century English, French, American, and Russian novels, Marianna Torgovnick demonstrates the variety and complexity of the process by which a work reaches an appropriate conclusion. Originally published in 1981. The Princeton Legacy Library uses th...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton University Press,
2017.
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| Colección: | Princeton Legacy Library
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Frontmatter
- ACKNOWLEDGMENTS
- CONTENTS
- INTRODUCTION
- ONE. George Eliot and the "Finale" of Middlemarch
- TWO. Closure in Bleak House
- THREE. "Open" and "Closed" Form in War and Peace
- FOUR. Communal Themes and the Outer Frame of The Scarlet
- FIVE. Discomforting the Reader: The Confrontational Endings of Vanity Fair and L'Education sentimentale
- SIX. James's Sense of an Ending: the Role Played in its Development by James's Ideas about Nineteenth-Century Endings
- SEVEN. Gesture and the Ending of The Golden Bowl
- EIGHT. Story-Telling as Affirmation at the End of Light in August
- NINE. Virginia Woolf, the Vision of The Waves, and the Novel's Double Ending
- CONCLUSION
- NOTES
- BIBLIOGRAPHY
- INDEX.