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JSTOR_ocn973733130 |
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cr cnu---unuuu |
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170224s2017 hiu ob 001 0 eng d |
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|b JSTOR
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|a PL726.6
|b .T63 2017eb
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|a LIT
|x 008000
|2 bisacsh
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|a ART
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|a 895.6/080042
|2 23
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|a UAMI
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|a A Tokyo anthology :
|b literature from Japan's modern metropolis, 1850-1920 /
|c edited by Sumie Jones and Charles Shiro Inouye.
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|a Honolulu :
|b University of Hawaiʻi Press,
|c [2017]
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Print version record.
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|t A true view of Kasane precipice
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|t A woodcutter falls in love
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|t Confessions of half a lifetime
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|t In the next room
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|t Messenger from the sea
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|t Money is all that matters in this world
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|t Pesimist poets and women
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|t Short pieces from long spring days
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|t Takahashi Oden, devil woman
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|t The bad girl prefers black and yellow plaid
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|t The impasse of our age
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|t The origins of my colloquial style
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|t Things heard around a pot of beef
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|t To my fellow sisters
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|t Toad fed up with modernity
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|a The city of Tokyo, renamed after the Meiji Restoration, developed an urban culture that was a dynamic integration of Edo's highly developed traditions and Meiji renovations, some of which reflected the influence of Western culture. This wide-ranging anthology--including fictional and dramatic works, essays, newspaper articles, political manifestos, and cartoons--tells the story of how the city's literature and arts grew out of an often chaotic and sometimes paradoxical political environment to move toward a consummate Japanese "modernity."Tokyo's downtown audience constituted a market that demanded visuality and spectacle, while the educated uptown favored written, realistic literature. The literary products resulting from these conflicting consumer bases were therefore hybrid entities of old and new technologies. A Tokyo Anthology guides the reader through Japanese literature's journey from classical to spoken, pictocentric to logocentric, and fantastic to realistic--making the novel the dominant form of modern literature. The volume highlights not only familiar masterpieces but also lesser known examples chosen from the city's downtown life and counterculture.Imitating the custom of creative artists of the Edo period, scholars from the United States, Canada, England, and Japan have collaborated in order to produce this intriguing sampling of Meiji works in the best possible translations. The editors have sought out the most reliable first editions of texts, also reproducing most of their original illustrations. With few exceptions the translations presented here are the first in the English language. This rich anthology will be welcomed by students and scholars of Japan studies and by a wide general audience interested in Japan's popular culture, media culture, and literature in translation.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Japanese literature
|y Meiji period, 1868-1912
|v Translations into English.
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650 |
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|a Japanese literature
|y Taishō period, 1912-1926
|v Translations into English.
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650 |
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|a LITERARY CRITICISM
|x Asian
|x General.
|2 bisacsh
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650 |
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|a ART / History / General
|2 bisacsh
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|a Japanese literature
|x Meiji period
|2 fast
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|a Japanese literature
|x Taishō period
|2 fast
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|a 1868-1926
|2 fast
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|a Translations
|2 fast
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1 |
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|a Jones, Sumie,
|e editor.
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|a Inouye, Charles Shirō,
|e editor.
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776 |
0 |
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|i Print version:
|t Tokyo anthology.
|d Honolulu : University of Hawaiʻi Press, [2017]
|z 9780824855895
|w (DLC) 2016039442
|w (OCoLC)951753955
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv13gvhvw
|z Texto completo
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