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|a Rowe, Christopher,
|d 1978-
|e author.
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1 |
0 |
|a Michael Haneke :
|b the intermedial void /
|c Christopher Rowe.
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|a Evanston, Illinois :
|b Northwestern University Press,
|c 2017.
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|a 1 online resource
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|a Includes bibliographical references and index.
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|6 880-01
|a Introduction: Haneke and the media question -- The non-image: Der siebente Kontinent -- The film of the video: Benny's video and Funny games -- Audiovisual fragmentation and the event: 71 Fragmente einer Chronologie des Zufalls and Code inconnu -- Adaptation as an intermedial practice: Haneke's television adaptations, Das schlo? and La pianiste -- The intermedial dynamics of shame: Cache -- Conclusion: Haneke's intermedial realism -- Appendix: plot summaries and credits of relevant Haneke films.
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1 |
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|a Haneke, Michael,
|d 1942-
|x Criticism and interpretation.
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|a Haneke, Michael,
|d 1942-
|2 fast
|0 (OCoLC)fst00302512
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 776 |
0 |
8 |
|i Print version:
|a Rowe, Christopher.
|t Michael Haneke : The Intermedial Void.
|d Chicago : Northwestern University Press, ©2017
|z 9780810134607
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|
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|a UPCC book collections on Project MUSE.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2dswp9
|z Texto completo
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|6 505-01/(S
|a Contents; Acknowledgments; Introduction. Haneke and the Media Question; Chapter 1. The Non-Image: Der siebente Kontinent; Chapter 2. The Film of the Video: Benny's Video and Funny Games; Chapter 3. Audiovisual Fragmentation and the Event: 71 Fragmente einer Chronologie des Zufalls and Code inconnu; Chapter 4. Adaptation as an Intermedial Practice: Haneke's Television Adaptations, Das Schloβ, and La pianiste; Chapter 5. The Intermedial Dynamics of Shame: Caché; Conclusion. Haneke's Intermedial Realism; Appendix. Plot Summaries and Credits of Relevant Haneke Films; Notes; Bibliography; Index.
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