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La verdad : an international dialogue on hip hop Latinidades /
From its earliest days, hip hop was more than just music, encapsulating the ideas of community and exchange. Artists like Mellow Man Ace and Kid Frost opened doors by infusing Spanish into their lyrics, calling for racial and social equality; others employed hip hop to comment on the effects of neo-...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Español |
| Publicado: |
Columbus :
The Ohio State University Press,
[2016]
|
| Colección: | Global Latin/o Americas.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 245 | 0 | 3 | |a La verdad : |b an international dialogue on hip hop Latinidades / |c edited by Melissa Castillo-Garsow and Jason Nichols. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (xiv, 317 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Global Latin/o Americas | |
| 520 | |a From its earliest days, hip hop was more than just music, encapsulating the ideas of community and exchange. Artists like Mellow Man Ace and Kid Frost opened doors by infusing Spanish into their lyrics, calling for racial and social equality; others employed hip hop to comment on the effects of neo-liberalization and global capital. In recent decades, the cultural exchange has expanded--the music traveling from the United States to Latin America and back as visual artists, music producers, MCs, vocalists, and dancers combine their Latin cultures with influences from north of the U.S. border to create new artistic experiences. And while there is an extensive body of work on U.S. hip hop, it continues to evolve in an increasingly multilingual, multiethnic, intergenerational, and global collection of cultural expressions. A truly international effort, La Verdad: An International Dialogue on Hip Hop Latinidades brings together exciting new work about Latino/a hip hop across more than a dozen countries, from scholars and practitioners in the United States and in Latin America, highlighting in new ways the participation of women, Indigenous peoples, and Afro-descendants in a reimagined global, hip hop nation. From graffitera crews in Costa Rica and Nicaragua to Mexican hip hop in New York, from Aymara rap in Bolivia to Chicano rap in Taiwan, this volume explodes stereotypes of who and how hip hop is consumed, lived, and performed. Examining hip hop movements in Spanish, English, Portuguese, Aymara, and Creole, La Verdad demonstrates that Latino hip hop is a multilingual expression of gender, Indigeneity, activism, and social justice. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |g Part I. |t Undefining hip hop Latinidades. |t Hip hop Latinidades : more than just rapping in Spanish / |r Melissa Castillo-Garsow and Jason Nichols -- |t Borderland hip hop rhetoric : identity and counterhegemony / |r Robert Tinajero -- |t !Ya basta con Latino! : the re-Indigenization and re-Africanization of hip hop / |r Pancho McFarland and Jared A. Ball -- |g Part II. |t Whose Black music? Afro-Latinidades and African legacies in Latin American and Latino hip hop. |t From Panama to the Bay : Los Rakas's expressions of Afrolatinidad / |r Petra R. Rivera-Rideau -- |t Bandoleros : the Black spiritual identities of Tego Calderon and Don Omar / |r Jason Nichols -- |t "Te llevaste mi oro" : ChocQuibTown and Afro-Colombian cultural memory / |r Christopher Dennis -- |t Now let's shake to this : viral power and flow from Harlem to São Paulo / |r Honey Crawford -- |g Part III. |t Chicano? Mexican? On the borderlands of Mexican and Mexican American hip hop. |t Collective amnesia / |r Bocafloja -- |t "Yo soy hip hop" : transnationalism and authenticity in Mexican New York / |r Melissa Castillo-Garsow -- |t Graffiti and rap on Mexico's northern border : observing two youth practices--transgressions or reproductions of social order? / |r Lisset Anahi Jimenez Estudillo ; translated by Janelle Gondar -- |t Somos pocos pero somos locos : Chicano hip hop finds a small but captive audience in Taipei / |r Daniel Zarazua -- |
| 505 | 0 | 0 | |g Part IV. |t Somos mujeres, somos hip hop. |t Chicana hip hop : expanding knowledge in the L.A. barrio / |r Diana Carolina Pelaez Rodriguez ; translated by Adriana Onita -- |t Daring to be "mujeres libres, lindas, locas" : an interview with the Ladies Destroying Crew of Nicaragua and Costa Rica / |r Jessica N. Pabon -- |t "Conscious Cuban rap" : Krudas Cubensi and Supercronica Obsesion / |r Sandra Abd'Allah-Alvarez Ramirez ; translated by Janelle Gondar -- |g Part V. |t Rap consciente : hip hop's role in activism. |t Ethnicity, race, nation, and the male voice in alteno hip hop in Bolivia / |r Maria Angela Riveros Pinto ; translated by Jocelyn Langer, Manuela Borzone, and Alexander Ponomareff -- |t Homosexuals, hemophiliacs, heroin addicts, and Haitians : how hip hop transformed Haitian stigmatization into a source of pride / |r Stephanie Melyon-Reinette -- |t Hip hop culture bridges gaps between young Caribbean citizens / |r Steve Gadet -- |t AfroReggae and Grupo Cultural AfroReggae : a study of the early years / |r Sarah Soanirina Ohmer. |
| 546 | |a In English; some contributions translated from the Spanish. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Rap (Music) |x Social aspects |z United States. | |
| 650 | 0 | |a Rap (Music) |x Social aspects |z Latin America. | |
| 650 | 0 | |a Rap (Music) |z United States |x History and criticism. | |
| 650 | 0 | |a Rap (Music) |z Latin America |x History and criticism. | |
| 650 | 0 | |a Hip-hop |z United States |x Influence. | |
| 650 | 0 | |a Hip-hop |z Latin America |x Influence. | |
| 650 | 0 | |a Dissemination of music. | |
| 650 | 6 | |a Dissémination de la musique. | |
| 650 | 7 | |a SOCIAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Dissemination of music |2 fast | |
| 650 | 7 | |a Hip-hop |x Influence |2 fast | |
| 650 | 7 | |a Rap (Music) |2 fast | |
| 650 | 7 | |a Rap (Music) |x Social aspects |2 fast | |
| 651 | 7 | |a Latin America |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a Discursive works |2 fast | |
| 655 | 7 | |a Music criticism and reviews |2 fast | |
| 655 | 7 | |a Music criticism and reviews. |2 lcgft | |
| 655 | 7 | |a Discursive works. |2 lcgft | |
| 655 | 7 | |a Comptes rendus de musique. |2 rvmgf | |
| 655 | 7 | |a Discours et échanges. |2 rvmgf | |
| 700 | 1 | |a Planas, Melissa Castillo, |d 1984- |e editor. | |
| 700 | 1 | |a Nichols, Jason, |d 1978- |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Verdad. |d Columbus : The Ohio State University Press, [2016] |z 9780814213155 |w (DLC) 2016021659 |w (OCoLC)945948404 |
| 830 | 0 | |a Global Latin/o Americas. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr7fbvd |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4804068 | ||
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| 994 | |a 92 |b IZTAP | ||