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Conjuring freedom : music and masculinity in the Civil War's "Gospel Army" /
Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus :
The Ohio State University Press,
[2017]
|
| Colección: | Black performance and cultural criticism.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Jabir, Johari, |e author. | |
| 245 | 1 | 0 | |a Conjuring freedom : |b music and masculinity in the Civil War's "Gospel Army" / |c Johari Jabir. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2017] | |
| 264 | 4 | |c ©2017 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Black performance and cultural criticism | |
| 504 | |a Includes bibliographical references (pages 159-169) and index. | ||
| 505 | 0 | |a A strange fulfillment of dreams: racial fetish and fantasy in Thomas Wentworth Higginson's Army life in a Black regiment -- The collective will to conjure: religion, ring shout, and spiritual militancy in a Black regiment -- One more valiant soldier: music and masculinity in a Black regiment -- Moon rise: songs of loss, lament, and liberation in a Black regiment -- Military "glory" or racial horror -- Postlude: My Army cross over. | |
| 520 | |a Conjuring Freedom: Music and Masculinity in the Civil War's "Gospel Army" analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout. In this study, acknowledging the importance of conjure as a religious, political, and epistemological practice, Johari Jabir demonstrates how the musical performance allowed troop members to embody new identities in relation to national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-optive state antiracism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. Reflecting the structure of the ring shout--the counterclockwise song, dance, drum, and story in African American history and culture--Conjuring Freedom offers three new concepts to cultural studies in order to describe the practices, techniques, and implications of the troop's performance: (1) Black Communal Conservatories, borrowing from Robert Farris Thompson's "invisible academies" to describe the structural but spontaneous quality of black music-making, (2) Listening Hermeneutics, which accounts for the generative and material affects of sound on meaning-making, and (3) Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 610 | 1 | 0 | |a United States. |b Army. |b South Carolina Volunteers, 1st (1862-1864) |
| 610 | 1 | 0 | |a United States. |b Army |x African American troops. |
| 600 | 1 | 0 | |a Higginson, Thomas Wentworth, |d 1823-1911. |
| 610 | 1 | 6 | |a États-Unis. |b Army |x Troupes noires américaines. |
| 600 | 1 | 7 | |a Higginson, Thomas Wentworth, |d 1823-1911 |2 fast |
| 610 | 1 | 7 | |a United States. |b Army |2 fast |
| 610 | 1 | 7 | |a United States. |b Army. |b South Carolina Volunteers, 1st (1862-1864) |2 fast |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Spirituals (Songs) |x History and criticism. | |
| 650 | 0 | |a Ring shout (Dance) | |
| 650 | 0 | |a Masculinity. | |
| 651 | 0 | |a United States |x History |y Civil War, 1861-1865 |x African Americans. | |
| 650 | 6 | |a Negro spirituals |x Histoire et critique. | |
| 650 | 6 | |a Masculinité. | |
| 651 | 6 | |a États-Unis |x Histoire |y 1861-1865 (Guerre de Sécession) |x Noirs américains. | |
| 650 | 7 | |a HISTORY |z United States |x State & Local |x General. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x General. |2 bisacsh | |
| 650 | 7 | |a African Americans |2 fast | |
| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Armed Forces |x African American troops |2 fast | |
| 650 | 7 | |a Masculinity |2 fast | |
| 650 | 7 | |a Ring shout (Dance) |2 fast | |
| 650 | 7 | |a Spirituals (Songs) |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 647 | 7 | |a American Civil War |c (United States : |d 1861-1865) |2 fast |0 (OCoLC)fst01351658 | |
| 648 | 7 | |a 1861-1865 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Jabir, Johari. |t Conjuring freedom. |d Columbus : The Ohio State University Press, [2017] |z 9780814213308 |w (DLC) 2016046333 |w (OCoLC)959265511 |
| 830 | 0 | |a Black performance and cultural criticism. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvxw3p4j |z Texto completo |
| 938 | |a Internet Archive |b INAR |n conjuringfreedom0000jabi | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4801592 | ||
| 938 | |a EBSCOhost |b EBSC |n 1464391 | ||
| 938 | |a YBP Library Services |b YANK |n 13497769 | ||
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