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Why we read fiction : theory of mind and the novel /
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Columbus :
The Ohio State University Press,
[2006]
|
| Colección: | Theory and interpretation of narrative series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Zunshine, Lisa, |e author. | |
| 245 | 1 | 0 | |a Why we read fiction : |b theory of mind and the novel / |c Lisa Zunshine. |
| 264 | 1 | |a Columbus : |b The Ohio State University Press, |c [2006] | |
| 264 | 4 | |c ©2006 | |
| 300 | |a 1 online resource (x, 198 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 490 | 1 | |a Theory and interpretation of narrative | |
| 504 | |a Includes bibliographical references (pages 181-192) and index. | ||
| 505 | 0 | 0 | |g pt. 1. |t Attributing minds. Why did Peter Walsh tremble? -- |t What is mind-reading (also known as theory of mind)? -- |t Theory of mind, autism, and fiction : four caveats -- |t "Effortless" mind-reading -- |t Why do we read fiction? -- |t The novel as a cognitive experiment -- |t Can cognitive science tell us why we are afraid of Mrs. Dalloway? -- |t The relationship between a "cognitive" analysis of Mrs. Dalloway and the larger field of literary studies -- |t Woolf, Pinker, and the project of interdisciplinarity -- |g pt. 2. |t Tracking minds. Whose thought is it, anyway? -- |t Metarepresentational ability and schizophrenia -- |t Everyday failures of source-monitoring -- |t Monitoring fictional states of mind -- |t "Fictional" and "history" -- |t Tracking minds in Beowulf -- |t Don Quixote and his progeny -- |t Source-monitoring, ToM, and the figure of the unreliable narrator -- |t Source-monitoring and the implied author -- |t Richardson's Clarissa : the progress of the elated bridegroom -- |t Nabokov's Lolita : the deadly demon meets and destroys the tenderhearted boy -- |g pt. 3. |t Concealing minds. ToM and the detective novel : what does it take to suspect everybody? -- |t Why is reading a detective story a lot like lifting weights at the gym? -- |t Metarepresentationality and some recurrent patterns of the detective story -- |t A cognitive evolutionary perspective : always historicize! -- |g Conclusion : |t why do we read (and write) fiction? Authors meet their readers -- |t Is this why we read fiction? surely, there is more to it! |
| 520 | |a Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski's Crime and Punishment, and Austen s Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett s The Maltese Falcon. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Fiction. | |
| 650 | 0 | |a Fiction |x Psychological aspects. | |
| 650 | 0 | |a Books and reading. | |
| 650 | 0 | |a Cognitive science. | |
| 650 | 6 | |a Roman. | |
| 650 | 6 | |a Roman |x Aspect psychologique. | |
| 650 | 6 | |a Livres et lecture. | |
| 650 | 6 | |a Sciences cognitives. | |
| 650 | 7 | |a fiction (general genre) |2 aat | |
| 650 | 7 | |a LITERARY CRITICISM / General |2 bisacsh | |
| 650 | 7 | |a Books and reading |2 fast | |
| 650 | 7 | |a Cognitive science |2 fast | |
| 650 | 7 | |a Fiction |2 fast | |
| 650 | 7 | |a Fiction |x Psychological aspects |2 fast | |
| 650 | 7 | |a Literaturpsychologie |2 gnd | |
| 650 | 1 | 7 | |a Fictie. |2 gtt |
| 650 | 1 | 7 | |a Lezen. |2 gtt |
| 650 | 1 | 7 | |a Psychologische aspecten. |2 gtt |
| 650 | 1 | 7 | |a Cognitieve processen. |2 gtt |
| 650 | 7 | |a Literatura. |2 larpcal | |
| 650 | 7 | |a Ficção (gênero) |2 larpcal | |
| 650 | 7 | |a Ciência cognitiva. |2 larpcal | |
| 655 | 2 | |a Fictional Work | |
| 655 | 7 | |a Fiction |2 fast | |
| 655 | 7 | |a Fiction. |2 lcgft | |
| 655 | 7 | |a Romans. |2 rvmgf | |
| 776 | 0 | 8 | |i Print version: |a Zunshine, Lisa. |t Why we read fiction. |d Columbus : Ohio State University Press, ©2006 |z 0814210287 |w (DLC) 2005028358 |w (OCoLC)61879625 |
| 830 | 0 | |a Theory and interpretation of narrative series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1kgqwk8 |z Texto completo |
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