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Music into fiction : composers writing, compositions imitated /
"This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to comp...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, New York :
Camden House,
2017.
|
| Colección: | Studies in German Literature, Linguistics, and Culture
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn970693751 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 170131s2017 nyua ob 001 0 eng d | ||
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| 016 | 7 | |a 019406452 |2 Uk | |
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| 020 | |a 9781782049173 |q (electronic bk.) | ||
| 020 | |a 1782049177 |q (electronic bk.) | ||
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| 035 | |a (OCoLC)970693751 |z (OCoLC)971229424 |z (OCoLC)971341610 |z (OCoLC)971538971 |z (OCoLC)971593800 |z (OCoLC)971947075 |z (OCoLC)972138773 |z (OCoLC)972159533 | ||
| 037 | |a 22573/ctt1kxwhz8 |b JSTOR | ||
| 050 | 4 | |a ML3849 |b .Z57 2017eb | |
| 072 | 7 | |a MUS |x 006000 |2 bisacsh | |
| 072 | 7 | |a MUS |x 033000 |2 bisacsh | |
| 072 | 7 | |a LIT004130 |2 bisacsh | |
| 072 | 7 | |a MUS006000 |2 bisacsh | |
| 082 | 0 | 4 | |a 780/.08 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Ziolkowski, Theodore, |e author. | |
| 245 | 1 | 0 | |a Music into fiction : |b composers writing, compositions imitated / |c Theodore Ziolkowski. |
| 264 | 1 | |a Rochester, New York : |b Camden House, |c 2017. | |
| 300 | |a 1 online resource (xi, 248 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Studies in German Literature, Linguistics, and Culture | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a "This book deals with three aspects that have been neglected in the burgeoning field of music and literature. The "First Movement" of the book considers writers from German Romanticism to the present who, like Robert Schumann, first saw themselves as writers before they turned to composition, or, like E.T.A. Hoffmann and Anthony Burgess, sought careers in music before becoming writers. It also considers the few operatic composers, such as Richard Wagner and Arnold Schoenberg, who wrote their own libretti. The "Second Movement" turns to literary works based specifically on musical compositions. This group includes, first and more generally, prose works whose author chose a specific musical form such as sonata or fugue as an organizational model. And second, it includes novels based structurally or thematically on specific compositions, such as Bach's Goldberg Variations. The "Finale" concludes with a unique case: efforts by modern composers to render musically the compositions described in detail by Thomas Mann in his novel Doktor Faustus. This book, which addresses itself to readers interested generally in music and literature and is written in a reader-friendly style, draws attention to unexplored dimensions of the music-literature relationship and to the sometimes unrecognized talents of certain writers and composers."-- |c Provided by publisher | ||
| 505 | 0 | |a Preface -- Prelude: Introduction. First movement: Composers writing. Weber and Hoffmann -- Berlioz and Schumann -- Wagner -- Transition: Nietzsche and the post-Wagnerians. Burgess -- Second movement: compositions imitated. Compositional forms -- Specific compositions -- Finale: composers setting fictional compositions. Leverkuhn's compositions -- Coda: Conclusion. | |
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music and literature. | |
| 650 | 0 | |a Musicians as authors. | |
| 650 | 6 | |a Musique et littérature. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Classical. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Reference. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM |x European |x General. |2 bisacsh | |
| 650 | 7 | |a Music and literature |2 fast | |
| 650 | 7 | |a Musicians as authors |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ziolkowski, Theodore. |t Music into fiction. |d Rochester, New York : Camden House, 2017 |z 9781571139733 |w (DLC) 2016047441 |w (OCoLC)956688605 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7722/j.ctt1kzcc75 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33767503 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH36197901 | ||
| 938 | |a EBSCOhost |b EBSC |n 1459317 | ||
| 938 | |a ProQuest MyiLibrary Digital eBook Collection |b IDEB |n cis37519049 | ||
| 938 | |a YBP Library Services |b YANK |n 13407101 | ||
| 994 | |a 92 |b IZTAP | ||