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|a N$T
|b eng
|e rda
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|d N$T
|d YDX
|d EBLCP
|d NRC
|d OCLCQ
|d OCLCO
|d JSTOR
|d OCLCO
|d UKAHL
|d OCLCQ
|d OCLCA
|d TXSCH
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|a 9781477311592
|q (electronic bk.)
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|a 1477311599
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|a 9781477311608
|q (non-library e-book)
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|a 1477311602
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|z 9781477311578
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|z 1477311572
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|z 9781477311585
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|z 1477311580
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|a (OCoLC)967982728
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|a 22573/ctv2dmrb8r
|b JSTOR
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|a a-ii---
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|a PN1993.5.I8
|b S437 2017eb
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|a PER
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|a 791.430954
|2 23
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|a UAMI
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|a Sen, Meheli,
|d 1976-
|e author.
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|a Haunting Bollywood :
|b gender, genre, and the supernatural in Hindi commercial cinema /
|c Meheli Sen.
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|a First edition.
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|a Austin :
|b University of Texas Press,
|c 2017.
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Introduction -- Haunted havelis and hapless heroes : gender, genre and the Hindi gothic film -- The Ramsay rampage : horror as emergency cinema -- Ravishing reptiles : magic, masala, and the Hindi "snake film" -- Present imperfect : Bollywood and the ghosts of neoliberalism -- The planetary paranormal : millennial mythos and the disassembly of the "Hindi film" -- Epilogue.
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|a Online resource; title from PDF title page (EBSCO, viewed January 10, 2017).
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|a Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from literary criticism, postcolonial studies, queer theory, history, and cultural studies. Hindi commercial cinema has been invested in the supernatural since its earliest days, but only a small segment of these films have been adequately explored in scholarly work; this book addresses this gap by focusing on some of Hindi cinema?s least explored genres. From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today?s globally influenced zombie and vampire films, Meheli Sen delves into what the supernatural is and the varied modalities through which it raises questions of film form, history, modernity, and gender in South Asian public cultures. Arguing that the supernatural is dispersed among multiple genres and constantly in conversation with global cinematic forms, she demonstrates that it is an especially malleable impulse that routinely pushes Hindi film into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating stage on which the supernatural rehearses its most basic compulsions; thus, the interface between gender and genre provides an exceptionally productive lens into Hindi cinema?s negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural?s unruly energies continually resist containment, even as they partake of and sometimes subvert Hindi cinema?s most enduring pleasures, from songs and stars to myth and melodrama.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Motion pictures
|z India.
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|a Motion pictures, Hindi.
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|a Motion picture industry
|z India.
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|a Gender identity in motion pictures.
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|a Sex role in motion pictures.
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|a Horror films
|x History and criticism.
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|a Supernatural in motion pictures.
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|a Cinéma
|z Inde.
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|a Cinéma hindi.
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|a Cinéma
|x Industrie
|z Inde.
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|a Identité de genre au cinéma.
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|a Rôle selon le sexe au cinéma.
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|a Films d'horreur
|x Histoire et critique.
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|a Surnaturel au cinéma.
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|a PERFORMING ARTS
|x Reference.
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|a PERFORMING ARTS / Film & Video / History & Criticism
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|a Gender identity in motion pictures
|2 fast
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|a Horror films
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|a Motion picture industry
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|a Motion pictures
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|a Motion pictures, Hindi
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|a Sex role in motion pictures
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|a Supernatural in motion pictures
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|a India
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|a Electronic books.
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|a Criticism, interpretation, etc.
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|u https://jstor.uam.elogim.com/stable/10.7560/311578
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH38419218
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|a ProQuest Ebook Central
|b EBLB
|n EBL4785162
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|a EBSCOhost
|b EBSC
|n 1449326
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|a YBP Library Services
|b YANK
|n 13334865
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|a 92
|b IZTAP
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