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Jazz and cocktails : rethinking race and the sound of film noir /
<P>Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2017.
|
| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | JSTOR_ocn967982209 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 170110s2017 txu ob s001 0 eng d | ||
| 040 | |a N$T |b eng |e rda |e pn |c N$T |d N$T |d YDX |d OTZ |d EBLCP |d OCLCQ |d OCLCO |d JSTOR |d OCLCO |d UKAHL |d OCLCQ |d TXSCH | ||
| 020 | |a 9781477312285 |q (electronic bk.) | ||
| 020 | |a 1477312285 |q (electronic bk.) | ||
| 020 | |a 9781477312292 |q (non-library e-book) | ||
| 020 | |a 1477312293 |q (non-library e-book) | ||
| 020 | |z 9781477312261 | ||
| 020 | |z 1477312269 | ||
| 020 | |z 9781477312278 | ||
| 020 | |z 1477312277 | ||
| 029 | 1 | |a AU@ |b 000070404794 | |
| 035 | |a (OCoLC)967982209 | ||
| 037 | |a 22573/ctv2dmv135 |b JSTOR | ||
| 050 | 4 | |a PN1995.9.J37 |b W34 2017eb | |
| 072 | 7 | |a PER |x 009000 |2 bisacsh | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.43/6578 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Wager, Jans B., |d 1958- |e author. | |
| 245 | 1 | 0 | |a Jazz and cocktails : |b rethinking race and the sound of film noir / |c Jans B. Wager. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2017. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: nostalgia for the Lush Life -- Pie eye's juke joint : jazz and its interpretations -- The porters and waiters club : jazz, movies, and Ogden -- Studio jazz from Harlem to Acapulco -- The Blue Gardenia, Club Pigalle, and Daniel's : charting the alienation effect in film noir -- From Elysium to Robards, from real to reel -- A Paris bar where miles innovates -- "All the very gay places" : Ellington and Strayhorn swing in northern Michigan -- Cannoy's club : "All men are evil" -- "Jeep's blues" and jazz today. | |
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed January 10, 2017). | |
| 520 | |a <P>Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life.</p><p><em>Jazz and Cocktails</em> explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including <em>Sweet Smell of Success</em>, <em>Elevator to the Gallows</em>, <em>Anatomy of a Murder</em>, <em>Odds Against Tomorrow</em>, and considers the neonoir <em>American Hustle</em>. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.</p> | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Jazz in motion pictures. | |
| 650 | 0 | |a Film noir |x History and criticism. | |
| 650 | 0 | |a Race in motion pictures. | |
| 650 | 0 | |a Sound in motion pictures. | |
| 650 | 0 | |a Motion pictures and music. | |
| 650 | 6 | |a Jazz au cinéma. | |
| 650 | 6 | |a Films noirs |x Histoire et critique. | |
| 650 | 6 | |a Race au cinéma. | |
| 650 | 6 | |a Cinéma |x Son. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Film noir. |2 fast |0 (OCoLC)fst00924273 | |
| 650 | 7 | |a Jazz in motion pictures. |2 fast |0 (OCoLC)fst00982204 | |
| 650 | 7 | |a Motion pictures and music. |2 fast |0 (OCoLC)fst01027416 | |
| 650 | 7 | |a Race in motion pictures. |2 fast |0 (OCoLC)fst01086507 | |
| 650 | 7 | |a Sound in motion pictures. |2 fast |0 (OCoLC)fst01904742 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/312261 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38419227 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL4785165 | ||
| 938 | |a EBSCOhost |b EBSC |n 1449321 | ||
| 938 | |a YBP Library Services |b YANK |n 13334868 | ||
| 994 | |a 92 |b IZTAP | ||