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Moving performances : divas, iconicity, and remembering the modern stage /
Offering innovative theorizations of performance, reception, and affect, Moving Performances introduces readers to four remarkable divas from the early twentieth century-Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker-who worked as both cultural producers and critics, deftly sub...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New Brunswick, N.J. :
Rutgers University Press,
2016.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Scheper, Jeanne, |d 1967- |e author. | |
| 245 | 1 | 0 | |a Moving performances : |b divas, iconicity, and remembering the modern stage / |c Jeanne Scheper. |
| 264 | 1 | |a New Brunswick, N.J. : |b Rutgers University Press, |c 2016. | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- The color line is always moving: Aida Overton Walker -- Transnational technologies of orientalism: Loïe Fuller's invented repertoires -- Voices within the voice: aural passing and Libby Holman's deracinated/reracinated sound -- "Much too busy to die": Josephine Baker's diva iconicity -- Conclusion: diva remains. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Offering innovative theorizations of performance, reception, and affect, Moving Performances introduces readers to four remarkable divas from the early twentieth century-Aida Overton Walker, Loïe Fuller, Libby Holman, and Josephine Baker-who worked as both cultural producers and critics, deftly subverting the tropes of exoticism, orientalism, and primitivism commonly used to dismiss women of color. Scheper rejects iconic depictions of these divas as frozen in a past moment, and vividly demonstrates how their performances continue to inspire ongoing movements. | ||
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| 650 | 0 | |a African American women entertainers |x History |y 20th century. | |
| 650 | 0 | |a Women entertainers |z United States |x History |y 20th century. | |
| 650 | 0 | |a African Americans in the performing arts. | |
| 650 | 0 | |a Women in the performing arts |z United States. | |
| 650 | 0 | |a Performing arts |x Political aspects |z United States |y 20th century. | |
| 650 | 0 | |a Performing arts |x Social aspects |z United States |y 20th century. | |
| 651 | 0 | |a United States |x Race relations |y 20th century. | |
| 650 | 6 | |a Femmes artistes du spectacle noires américaines |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes artistes du spectacle |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Noirs américains dans les arts du spectacle. | |
| 650 | 6 | |a Femmes dans les arts du spectacle |z États-Unis. | |
| 650 | 6 | |a Arts du spectacle |x Aspect politique |z États-Unis |y 20e siècle. | |
| 650 | 6 | |a Arts du spectacle |x Aspect social |z États-Unis |y 20e siècle. | |
| 651 | 6 | |a États-Unis |x Relations raciales |y 20e siècle. | |
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| 650 | 7 | |a HISTORY |z United States |y 20th Century. |2 bisacsh | |
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| 776 | 0 | 8 | |i Print version: |a Scheper, Jeanne, 1967- |t Moving performances. |d New Brunswick, N.J. : Rutgers University Press, 2016 |z 9780813585451 |w (DLC) 2016003238 |w (OCoLC)938855775 |
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