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Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry /
Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
2016.
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| Colección: | Theater (Transcript (Firm)) ;
Bd. 91. |
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Table of Contents ; Preface ; Acknowledgements ; Introduction ; 1. Studies on Traditional Hawaiian Hula ; 1.1 A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; 1.2 Academic Research on Traditional Hawaiian Hula.
- 1.3 A Case Study on Hula 'Olapa Performance Practice 1.4 Chapter Outline ; Part I. METHODS ; Methods I: Practice as Research ; 2. Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; 2.1 The Master-Disciple Relation as Research Method.
- 2.2 Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research 2.2.1 The Concept of Embodiment ; 2.3 Practice as Research and the Embodied Mind Condition.
- 2.4 Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge 2.5 Embodied Knowledge and the Senses ; 2.6 Practice as Research and Studies of the Particular ; Methods II: Interart Aesthetics and Performance Analysis ; 3. Concepts and Methodological Considerations.
- 3.1 Convergence 3.1.1 Intersensoriality ; 3.1.2 Interplay, Interdependence, and the Study of Media Combinations ; 3.2 Elements of Convergence in Performance ; 3.2.1 The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment.