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Hawaiian Hula `Olapa : stylized embodiment, percussion, and chanted oral poetry /
Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bielefeld :
Transcript Verlag,
2016.
|
| Colección: | Theater (Transcript (Firm)) ;
Bd. 91. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lilleike, Monika, |e author. | |
| 245 | 1 | 0 | |a Hawaiian Hula `Olapa : |b stylized embodiment, percussion, and chanted oral poetry / |c Monika Lilleike. |
| 264 | 1 | |a Bielefeld : |b Transcript Verlag, |c 2016. | |
| 300 | |a 1 online resource (337 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 1 | |a Theatre studies ; |v volume 91 | |
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references (pages 323-333). | ||
| 546 | |a In English, with abstract in German. | ||
| 505 | 0 | 0 | |g Table of Contents ; |g Preface ; |g Acknowledgements ; |g Introduction ; 1. |t Studies on Traditional Hawaiian Hula ; |g 1.1 |t A Brief History of Hula and Principle Features of Hula'Olapa Performance Practice ; |g 1.2 |t Academic Research on Traditional Hawaiian Hula. |
| 505 | 0 | 0 | |g 1.3 |t A Case Study on Hula 'Olapa Performance Practice |g 1.4 |t Chapter Outline ; |g Part I. |t METHODS ; |t Methods I: |t Practice as Research ; |g 2. |t Practice as Research: A Principal Method of Embodied Knowledge Inquiry in Performance Studies ; |g 2.1 |t The Master-Disciple Relation as Research Method. |
| 505 | 0 | 0 | |g 2.2 |t Embodiment, Practice, and Perception: Key Concepts of Cultural and Performance Studies Applied to Practice as Research |g 2.2.1 |t The Concept of Embodiment ; |g 2.3 |t Practice as Research and the Embodied Mind Condition. |
| 505 | 0 | 0 | |g 2.4 |t Self-Reflexivity of the Performer: A Tool of Inquiry about Embodied Knowledge |g 2.5 |t Embodied Knowledge and the Senses ; |g 2.6 |t Practice as Research and Studies of the Particular ; |g Methods II: |t Interart Aesthetics and Performance Analysis ; |g 3. |t Concepts and Methodological Considerations. |
| 505 | 0 | 0 | |g 3.1 |t Convergence |g 3.1.1 |t Intersensoriality ; |g 3.1.2 |t Interplay, Interdependence, and the Study of Media Combinations ; |g 3.2 |t Elements of Convergence in Performance ; |g 3.2.1 |t The Body Can Do it All: The Medial, Material, and Sensory Aspects of Embodiment. |
| 520 | |a Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Hula (Dance) |z Hawaii |x History. | |
| 650 | 0 | |a Hulas (Music) |x History and criticism. | |
| 650 | 0 | |a Hawaiian chants |x History and criticism. | |
| 650 | 0 | |a Performing arts |z Hawaii. | |
| 650 | 0 | |a Oral tradition |z Hawaii. | |
| 651 | 0 | |a Hawaii |x Social life and customs. | |
| 650 | 6 | |a Hula-hula (Danse) |z Hawaii |x Histoire. | |
| 650 | 6 | |a Arts du spectacle |z Hawaii. | |
| 650 | 6 | |a Tradition orale |z Hawaii. | |
| 651 | 6 | |a Hawaii |x Mœurs et coutumes. | |
| 650 | 7 | |a GAMES |x Reference. |2 bisacsh | |
| 650 | 7 | |a GAMES |x Travel Games. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Theater / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Hawaiian chants |2 fast | |
| 650 | 7 | |a Hula (Dance) |2 fast | |
| 650 | 7 | |a Hulas (Music) |2 fast | |
| 650 | 7 | |a Manners and customs |2 fast | |
| 650 | 7 | |a Oral tradition |2 fast | |
| 650 | 7 | |a Performing arts |2 fast | |
| 651 | 7 | |a Hawaii |2 fast | |
| 650 | 7 | |a Hula |g Tanz |2 gnd | |
| 650 | 7 | |a Performance |g Künste |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |z 9783839436691 |
| 776 | 0 | 8 | |i Print version: |z 9783837636697 |z 3837636690 |w (OCoLC)973160895 |
| 830 | 0 | |a Theater (Transcript (Firm)) ; |v Bd. 91. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c28c |z Texto completo |
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