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00000cam a2200000 i 4500 |
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JSTOR_ocn966314925 |
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OCoLC |
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20231005004200.0 |
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m o d |
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161214s2017 inu ob s001 0 eng |
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|a 2016057717
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|a DLC
|b eng
|e rda
|c DLC
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|d YDX
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|d P@U
|d UAB
|d OTZ
|d CSAIL
|d JSTOR
|d INT
|d AU@
|d DLC
|d OCLCQ
|d TEFOD
|d OCLCO
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|a 968177227
|a 968920399
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|a 9780253025012
|q (e-book)
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|a 025302501X
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|z 9780253024695 (cloth : alk. paper)
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|z 0253024692
|q (cloth ;
|q alk. paper)
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|z 9780253024862
|q (pbk. ;
|q alk. paper)
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|z 0253024862
|q (pbk. ;
|q alk. paper)
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1 |
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|a AU@
|b 000059289164
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| 035 |
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|a (OCoLC)966314925
|z (OCoLC)968177227
|z (OCoLC)968920399
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|a 22573/ctt1zzhtg1
|b JSTOR
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| 037 |
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|a 62A1A9CD-21E7-42AF-AD0C-E1D2D3EA58F2
|b OverDrive, Inc.
|n http://www.overdrive.com
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|a pcc
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|a PN1998.3.B755
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|a PER
|x 009000
|2 bisacsh
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|2 bisacsh
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|a PER018000
|2 bisacsh
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|a 791.4302/33092
|2 23
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| 049 |
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|a UAMI
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| 100 |
1 |
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|a Burnett, Colin
|e author.
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| 245 |
1 |
4 |
|a The invention of Robert Bresson :
|b the auteur and his market /
|c Colin Burnett.
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| 264 |
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1 |
|a Bloomington :
|b Indiana University Press,
|c [2017]
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| 300 |
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|a 1 online resource
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b n
|2 rdamedia
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| 338 |
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|a online resource
|b nc
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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| 588 |
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|a Description based on print version record and CIP data provided by publisher.
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| 505 |
0 |
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|g Machine generated contents note:
|g pt. I
|t Alternative Institutions --
|g 1.
|t Under the Aegis of Surrealism: How a Publicity Artist Became the Manager of an Independent Film Company --
|g 2.
|t Rise of the Accursed: When Bresson Was Copresident of an Avant-Garde Cine-Club --
|g pt. II
|t Vanguard Forms --
|g 3.
|t Purifying Cinema: The Provocations of Faithful Adaptation and First-Person Storytelling in "Ignace de Loyola" (1948) and Journal d'un cure de campagne (1951) --
|g 4.
|t Theorizing the Image: Bresson's Challenge to the Realists -- Sparse Set Design, Acting, and Photography from Les anges du peche (1943) to Une femme douce (1969) --
|g 5.
|t Vernacularizing Rhythm: Bresson and the Shift Toward Dionysian Temporalities -- Plot Structure and Editing from Journal d'un cure de campagne (1951) to L'argent (1983).
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| 590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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| 600 |
1 |
0 |
|a Bresson, Robert
|x Criticism and interpretation.
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| 600 |
1 |
7 |
|a Bresson, Robert
|2 fast
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| 650 |
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7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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| 650 |
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7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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| 776 |
0 |
8 |
|i Print version:
|a Burnett, Colin author.
|t Invention of Robert Bresson
|d Bloomington : Indiana University Press, [2017]
|z 9780253024695
|w (DLC) 2016041301
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt2005vhp
|z Texto completo
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| 938 |
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|a YBP Library Services
|b YANK
|n 13150314
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| 938 |
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|a Project MUSE
|b MUSE
|n muse57825
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| 938 |
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|a EBSCOhost
|b EBSC
|n 1446983
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| 994 |
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|a 92
|b IZTAP
|
