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Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism /
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and ear...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington ; Indianapolis :
Indiana University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories
- Discovering medium specificity: the first Polish claims for film as art
- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde
- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art
- The theoretical apparatus: Polish futurism and avant-garde film
- Polish avant-garde films, discourses, and the concept of photogenie
- Polish avant-garde film and constructivism
- Conclusion.