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Visions of avant-garde film : Polish cinematic experiments from expressionism to constructivism /
Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and ear...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington ; Indianapolis :
Indiana University Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kuc, Kamila |e author. | |
| 245 | 1 | 0 | |a Visions of avant-garde film : |b Polish cinematic experiments from expressionism to constructivism / |c Kamila Kuc. |
| 264 | 1 | |a Bloomington ; |a Indianapolis : |b Indiana University Press, |c [2016] | |
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction -- Protocinematic phase: the pioneers (1896-1918). "The cinematograph" and historical consciousness: actualities as the earliest experiments with film in the Polish territories -- Discovering medium specificity: the first Polish claims for film as art -- The first Polish experiment with film: Feliks Kuczkowski's animation in the context of the international avant-garde -- Polish avant-garde movements and film (1919-1945). Karol Irzykowski's Tenth muse: animated film as the highest form of film art -- The theoretical apparatus: Polish futurism and avant-garde film -- Polish avant-garde films, discourses, and the concept of photogenie -- Polish avant-garde film and constructivism -- Conclusion. | |
| 588 | |a Description based on print version record and CIP data provided by publisher. | ||
| 520 | 8 | |a Warsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland's literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements-Symbolism, Expressionism, Futurism, and Constructivism-and to reveal their impact on later practices in art cinema. | |
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| 650 | 0 | |a Experimental films |z Poland |x History and criticism. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
| 651 | 7 | |a Poland. |2 fast |0 (OCoLC)fst01206891 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Kuc, Kamila author. |t Visions of avant-garde film |d Bloomington ; Indianapolis : Indiana University Press, [2016] |z 9780253023971 |w (DLC) 2016040997 |
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