Tabla de Contenidos:
  • Establishing a tonal center
  • Music as cultural marker in German film
  • History on the soundtrack : the example of Beethoven's Ninth
  • A Wagnerian German requiem : Syberberg's Hitler (1977)
  • Alexander Kluge's Songs without words : Die Patriotin (1979)
  • Fassbinder's compromised request concert : Lili Marleen (1980)
  • The great eclecticism of the filmmaker Werner Herzog
  • Pivot chords : Austrian music and Visconti's Senso (1954)
  • Conclusion : film music and cultural memory.