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|a IDEBK
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|d JSTOR
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|d OCLCQ
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|a 0812293223
|q (electronic bk.)
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|a 9780812293227
|q (electronic bk.)
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|z 0812248449
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|z 9780812248449
|q (hardcover ;
|q alk. paper)
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|a (OCoLC)965127121
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|a 964365
|b MIL
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|a 22573/ctv2rhqmk
|b JSTOR
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|b P584 2017eb
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|a UAMI
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|a Pollak, Vivian R.,
|e author.
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|a Our Emily Dickinsons :
|b American women poets and the intimacies of difference /
|c Vivian R. Pollak.
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|a Philadelphia :
|b University of Pennsylvania Press,
|c [2017]
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|c ©2017
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|a 1 online resource (355 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Haney foundation series
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|a Includes bibliographical references (pages 267-336) and indexes.
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|a Print version record.
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|a "For Vivian R. Pollak, Emily Dickinson's work is an extended meditation on the risks of social, psychological, and aesthetic difference that would be taken up by the generations of women poets who followed her. She situates Dickinson's originality in relation to her nineteenth-century audiences, including poet, novelist, and Indian rights activist Helen Hunt Jackson and her controversial first editor, Mabel Loomis Todd, and traces the emergence of competing versions of a brilliant but troubled Dickinson in the twentieth century, especially in the writings of Marianne Moore, Sylvia Plath, and Elizabeth Bishop. Pollak reveals the wide range of emotions exhibited by women poets toward Dickinson's achievement and chronicles how their attitudes toward her changed over time. She contends, however, that they consistently use Dickinson to clarify personal and professional battles of their own. Reading poems, letters, diaries, journals, interviews, drafts of published and unpublished work, and other historically specific primary sources, Pollak tracks nineteenth- and twentieth-century women poets' ambivalence toward a literary tradition that overvalued lyric's inwardness and undervalued the power of social connection. Our Emily Dickinsons places Dickinson's life and work within the context of larger debates about gender, sexuality, and literary authority in America and complicates the connections between creative expression, authorial biography, audience reception, and literary genealogy."--Online description
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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1 |
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|a Dickinson, Emily,
|d 1830-1886
|x Criticism and interpretation.
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600 |
1 |
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|a Dickinson, Emily,
|d 1830-1886
|x Influence.
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1 |
7 |
|a Dickinson, Emily,
|d 1830-1886
|2 fast
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650 |
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|a Authors and readers
|z United States
|x History.
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650 |
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|a Women poets, American
|y 20th century.
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650 |
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|a American poetry
|x Women authors
|x History and criticism.
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650 |
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|a Women and literature
|z United States
|x History.
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650 |
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|a Intimacy (Psychology) in literature.
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650 |
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|a Difference (Philosophy) in literature.
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650 |
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|a Écrivains et lecteurs
|z États-Unis
|x Histoire.
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650 |
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|a Poétesses américaines
|y 20e siècle.
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650 |
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|a Femmes et littérature
|z États-Unis
|x Histoire.
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650 |
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|a Intimité dans la littérature.
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650 |
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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|a American poetry
|x Women authors
|2 fast
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650 |
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|a Authors and readers
|2 fast
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650 |
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7 |
|a Difference (Philosophy) in literature
|2 fast
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650 |
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7 |
|a Influence (Literary, artistic, etc.)
|2 fast
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650 |
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7 |
|a Intimacy (Psychology) in literature
|2 fast
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650 |
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7 |
|a Women and literature
|2 fast
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650 |
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7 |
|a Women poets, American
|2 fast
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651 |
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|a United States
|2 fast
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|a 1900-1999
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|z 9780812293227
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830 |
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|a Haney Foundation series.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv2n7rmk
|z Texto completo
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936 |
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|a BATCHLOAD
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH32414223
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938 |
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|a EBSCOhost
|b EBSC
|n 1649011
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938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis34368550
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|a 92
|b IZTAP
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