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Second death : theatricalities of the soul in Shakespeare's drama /

Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimatelý⁰₄and counterintuitivelý⁰₄theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religiou...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Sherman, Donovan (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2016]
Colección:Edinburgh critical studies in Shakespeare and philosophy.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Intro -- Acknowledgements -- Series Editor's Preface -- Introduction: Conspiring Elements -- Chapter 1. This Tough World -- Chapter 2. Governing the Wolf: Soul and Space in The Merchant of Venice -- Chapter 3. Wounding the Wound: The Monuments of Coriolanus -- Chapter 4. Mourning the Present: The Elegy of The Winter's Tale -- Conclusion: The Semi-Theatrical Prejudice -- Notes -- Index. 
520 |a Second Death seeks to revitalise our understanding of the soul as a philosophically profound, theoretically radical, and ultimatelý⁰₄and counterintuitivelý⁰₄theatrically realised concept. The book contends that the work of Shakespeare, when closely read alongside early modern cultural and religious writings, helps us understand the souĺ⁰₉s historical placement as a powerful paradox: it was essential to establishing humanity but resistant to clear representation. Drawing from current critical theory as well as extensive historical research, Second Death examines works of Shakespearean drama, including The Merchant of Venice, Coriolanus, and The Winteŕ⁰₉s Tale, to suggest that rather than simply being incapable of understanding or physical realisation, the soul expressed itself in complex and subtle modes of performance. As a result, this book offers new ways of looking at identity, theatre, and spirituality in Shakespearé⁰₉s era and in our own. 
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