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Screen presence : cinema culture and the art of Warhol, Rauschenberg, Hatoum and Gordon /
Explores the intersections of film, popular media and art since the 1950s. Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, an...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2016]
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| Colección: | Edinburgh studies in film and intermediality.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Monteiro, Stephen, |e author. | |
| 245 | 1 | 0 | |a Screen presence : |b cinema culture and the art of Warhol, Rauschenberg, Hatoum and Gordon / |c Stephen Monteiro. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (188 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Studies in Film and Intermediality | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a A wider audience: Robert Rauschenberg, the White Paintings and CinemaScope -- The screen scene: Andy Warhol, the Factory and home movies -- Private dis-pleasures: Mona Hatoum, mediated bodies and the peep show -- A monument in ruins: Douglas Gordon, screen archaeology and the drive-in. | |
| 520 | |a Explores the intersections of film, popular media and art since the 1950s. Cinema plays a major role in contemporary art, yet the deeper influence of its diverse historical forms on artistic practice has received little attention. Screen Presence explores the intersections of film, popular media, and art since the 1950s through the examples of four pivotal figures - Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon. While their film-related works may appear primarily as challenges to conventional cinema, these artists draw on overlooked forms of popular film culture that have been commonplace, and even dominant, in specific social contexts. Through a range of new sources, including advertisements, specialty magazines, postcards, technical guides and souvenir programs, Stephen Monteiro demonstrates the dependence of contemporary artists on cinema's shifting applications and interpretations, offering a fresh understanding of the enduring impact of everyday media on how we make and view art. Key features. Concentrates on four major artists: Andy Warhol, Robert Rauschenberg, Mona Hatoum and Douglas Gordon Provides in-depth studies of selected works by these artists Includes significant research on under-valued yet common popular cinema cultures (peep shows, drive-ins, home movies and CinemaScope) | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 600 | 1 | 7 | |a Gordon, Douglas. |2 rero |
| 600 | 1 | 7 | |a Hatoum, Mona. |2 rero |
| 600 | 1 | 7 | |a Rauschenberg, Robert. |2 rero |
| 600 | 1 | 7 | |a Warhol, Andy. |2 rero |
| 650 | 0 | |a Art and motion pictures. | |
| 650 | 6 | |a Art et cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a Art and motion pictures. |2 fast |0 (OCoLC)fst00815412 | |
| 650 | 7 | |a Kunst |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 776 | 0 | 8 | |i Print version: |a Monteiro, Stephen. |t Screen presence. |d Edinburgh : Edinburgh University Press, [2016] |z 9781474403375 |w (DLC) 2016429534 |w (OCoLC)946009716 |
| 830 | 0 | |a Edinburgh studies in film and intermediality. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctt1bh2j1d |z Texto completo |
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