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Paul Thomas Anderson /

Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Toles, George E. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2016]
Colección:Contemporary film directors.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Cover; Title; Copyright; Contents; Acknowledgments; Note to the Reader; Words and Music: The Magnolia Crisis; Wise Up; The Sledgehammer of Eros in Punch-Drunk Love; The Trail of the Ellipsis in There Will Be Blood; Form and Formlessness in The Master; Notes; Composite Interview; Filmography; Bibliography; Index. 
520 8 |a Since his explosive debut with the indie sensation 'Hard Eight', Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists. His 2002 feature 'Punch-Drunk Love' radically reimagined the romantic comedy. Critics hailed 'There Will Be Blood' as a key film of the new millennium. In 'The Master', Anderson jarred audiences with dreamy amorphousness and a departure from conventional story mechanics. Acclaimed film scholar and screenwriter George Toles approaches these three films in particular, and Anderson's oeuvre in general, with a focus on the role of emergence and the production of the unaccountable. 
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