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The Harlem Renaissance and the Idea of a New Negro Reader /

"Many scholars have written about the white readers and patrons of the Harlem Renaissance, but during the period many black writers, publishers, and editors worked to foster a cadre of African American readers, or in the poet Sterling Brown's words, a "reading folk." Black newspa...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Christian, Shawn Anthony (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amherst : University of Massachusetts Press, 2016.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Christian, Shawn Anthony,  |e author. 
245 1 4 |a The Harlem Renaissance and the Idea of a New Negro Reader /  |c Shawn Anthony Christian. 
260 |a Amherst :  |b University of Massachusetts Press,  |c 2016. 
300 |a 1 online resource 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction. The New Negro is reading -- Creating critical frameworks: three models for the New Negro Reader -- In search of Black writers (and readers): Crisis's and Opportunity's literary contests -- Beyond the New Negro: artistry, audience, and the Harlem Renaissance literary anthology -- Pedagogy for critical readership: James Weldon Johnson's English 123 -- Epilogue. On African American writers and readers. 
520 |a "Many scholars have written about the white readers and patrons of the Harlem Renaissance, but during the period many black writers, publishers, and editors worked to foster a cadre of African American readers, or in the poet Sterling Brown's words, a "reading folk." Black newspapers featured columns that reviewed the latest African American fiction. Magazines held writing contests to urge black readers to participate in the literary culture. Through newspapers, journals, and anthologies, writers such as James Weldon Johnson, Jessie Fauset, and Gwendolyn Bennett spoke directly to their fellow African Americans to cultivate interest in literature and the intellectual tools for reading it. In The Harlem Renaissance and the Idea of a New Negro Reader, Shawn Anthony Christian argues that print-based addresses to African Americans are a defining but understudied component of the Harlem Renaissance. Especially between 1919 and 1930, these writers promoted diverse racial representation as a characteristic of "good literature" both to exhibit black literacy and to foster black readership. Drawing on research from print culture studies, histories of racial uplift, and studies of modernism, Christian demonstrates the importance of this focus on the African American reader in influential periodicals such as The Crisis and celebrated anthologies such as The New Negro. Christian illustrates that the drive to develop and support black readers was central in the poetry, fiction, and drama of the era."--  |c Provided by publisher 
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650 0 |a Harlem Renaissance  |x Social aspects. 
650 0 |a African Americans  |x Books and reading  |z United States. 
650 6 |a Harlem Renaissance  |x Aspect social. 
650 6 |a Noirs américains  |x Livres et lecture  |z États-Unis. 
650 7 |a LITERARY CRITICISM  |x Books & Reading.  |2 bisacsh 
650 7 |a African Americans  |x Books and reading  |2 fast 
650 7 |a African Americans in literature  |2 fast 
650 7 |a American literature  |x African American authors  |2 fast 
650 7 |a Harlem Renaissance  |2 fast 
650 7 |a Intellectual life  |2 fast 
651 7 |a United States  |2 fast 
651 7 |a New York (State)  |z New York  |z Harlem  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |z 9781625342010  |z 1625342012  |w (DLC) 2016012905  |w (OCoLC)930997630 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1hd19sm  |z Texto completo 
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