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Hollywood westerns and American myth : the importance of Howard Hawks and John Ford for political philosophy /

In this pathbreaking book one of America's most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks' Red River and John Ford's The Man Who Shot L...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Pippin, Robert B., 1948- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Haven [Conn.] : Yale University Press, [2010]
Colección:Castle lectures in ethics, politics, and economics.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Pippin, Robert B.,  |d 1948-  |e author. 
245 1 0 |a Hollywood westerns and American myth :  |b the importance of Howard Hawks and John Ford for political philosophy /  |c Robert B. Pippin 
264 1 |a New Haven [Conn.] :  |b Yale University Press,  |c [2010] 
264 4 |c ©2010 
300 |a 1 online resource (x, 198 pages) 
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490 1 |a The Castle lectures in ethics, politics, and economics 
520 |a In this pathbreaking book one of America's most distinguished philosophers brilliantly explores the status and authority of law and the nature of political allegiance through close readings of three classic Hollywood Westerns: Howard Hawks' Red River and John Ford's The Man Who Shot Liberty Valance and The Searchers. Robert Pippin treats these films as sophisticated mythic accounts of a key moment in American history: its "second founding," or the western expansion. His central question concerns how these films explore classical problems in political psychology, especially how the virtues of a commercial republic gained some hold on individuals at a time when the heroic and martial virtues were so important. Westerns, Pippin shows, raise central questions about the difference between private violence and revenge and the state's claim to a legitimate monopoly on violence, and they show how these claims come to be experienced and accepted or rejected. Pippin's account of the best Hollywood Westerns brings this genre into the center of the tradition of political thought, and his readings raise questions about political psychology and the political passions that have been neglected in contemporary political thought in favor of a limited concern with the question of legitimacy 
504 |a Includes bibliographical references and index 
505 0 |a Introduction -- Red River and the right to rule -- Who cares who shot Liberty Valance? : the heroic and the prosaic in The man who shot Liberty Valance -- Politics and self-knowledge in The searchers -- Conclusion 
546 |a English. 
588 0 |a Print version record 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
600 1 0 |a Hawks, Howard,  |d 1896-1977  |x Criticism and interpretation. 
600 1 0 |a Ford, John,  |d 1894-1973  |x Criticism and interpretation. 
600 1 7 |a Ford, John,  |d 1894-1973  |2 fast 
600 1 7 |a Hawks, Howard,  |d 1896-1977  |2 fast 
650 0 |a Western films  |x History and criticism. 
650 0 |a National characteristics, American, in motion pictures. 
650 0 |a Politics in motion pictures. 
650 6 |a Westerns  |x Histoire et critique. 
650 6 |a Américains au cinéma. 
650 6 |a Politique au cinéma. 
650 7 |a POLITICAL SCIENCE  |x General.  |2 bisacsh 
650 7 |a National characteristics, American, in motion pictures  |2 fast 
650 7 |a Politics in motion pictures  |2 fast 
650 7 |a Western films  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Pippin, Robert B., 1948-  |t Hollywood westerns and American myth.  |d New Haven ; London : Yale University Press, [2010]  |z 9780300145779  |w (DLC) 2009031174  |w (OCoLC)429750100 
830 0 |a Castle lectures in ethics, politics, and economics. 
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