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The First World Festival of Negro Arts, Dakar 1966 : contexts and legacies /
"In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival mondial des arts nègres). The international forum provided by the Daka...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Liverpool :
Liverpool University Press,
2016.
|
| Colección: | Postcolonialism across the disciplines.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 4 | |a The First World Festival of Negro Arts, Dakar 1966 : |b contexts and legacies / |c [edited by] David Murphy. |
| 260 | |a Liverpool : |b Liverpool University Press, |c 2016. | ||
| 300 | |a 1 online resource (xii, 224 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Postcolonialism across the disciplines | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States."--Provided by publisher. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2022. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
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| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 611 | 2 | 0 | |a World Festival of Negro Arts |n (1st : |d 1966 : |c Dakar, Senegal) |
| 611 | 2 | 7 | |a World Festival of Negro Arts |2 fast |
| 611 | 2 | 7 | |a First World Festival of Negro Arts |d 1966 |c Dakar |2 gnd |
| 610 | 2 | 7 | |a Festival mondial des Arts nègres, |d 01. |f 1966 |e Dakar. |2 ram |
| 650 | 0 | |a Art festivals |z Africa, Sub-Saharan. | |
| 650 | 0 | |a Art festivals |z Senegal |z Dakar. | |
| 650 | 6 | |a Festivals artistiques |z Afrique subsaharienne. | |
| 650 | 6 | |a Festivals artistiques |z Sénégal |z Dakar. | |
| 650 | 7 | |a 20.52 African art. |0 (NL-LeOCL)077594878 |2 bcl | |
| 650 | 7 | |a National liberation & independence, post-colonialism. |2 bicssc | |
| 650 | 7 | |a POLITICAL SCIENCE |x Colonialism & Post-Colonialism. |2 bisacsh | |
| 650 | 7 | |a Festivals artistiques |z afrique noire. |2 ram | |
| 650 | 7 | |a Festivals artistiques |z Sénégal |z Dakar (Sénégal) |2 ram | |
| 655 | 4 | |a Dakar (1966) | |
| 655 | 7 | |a Konferenzschrift |y 1966 |z Dakar. |2 gnd-content | |
| 700 | 1 | |a Murphy, David, |d 1971- | |
| 776 | 0 | 8 | |i Print version: |a Murphy, David. |t First World Festival of Negro Arts, Dakar 1966. |d [Place of publication not identified] : Liverpool University Press, 2016 |z 1781383162 |z 9781781383162 |w (OCoLC)946007275 |
| 830 | 0 | |a Postcolonialism across the disciplines. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctt1gn6dzd |z Texto completo |
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