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150126s2013 enka obq 001 0 eng d |
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|a UAMI
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|a Gibbs, John,
|d 1970-
|e author.
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|a The life of mise-en-scène :
|b visual style and British film criticism, 1946-78 /
|c John Gibbs.
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|a Manchester :
|b Manchester University Press,
|c 2013.
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|a 1 online resource (280 pages) :
|b illustrations
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|a text
|b txt
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|a computer
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|2 rdamedia
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|a online resource
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|a text file
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|b PDF
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|a Includes bibliographical references (pages 243-260) and index.
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|a Includes filmography.
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|a Print version record.
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|a The Life of Mise-en-scáene offers a critical history of key debates about visual style in British film journals in the postwar period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound during the 1950s, and the battle over the significance of film style which raged between a number of small journals and the national press in the early 1960s. It examines 'the British school first associated with Movie in the '60s' -- which, in Adrian Martin's words, is enjoying a 'widespread, international revival' -- but also other critical movements, more hazily remembered. It explores the role of Mise-en-scáene in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the 1970s. In doing so, it provides a vital context for the contemporary practice of style-based criticism and challenges received notions of critical history, developing our understanding of a range of other key debates and concerns in the study of film.
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|a Sequence -- Transfusion and transformation: Sight and sound in the 1950s -- 'Pistols for three, coffee for one': the battle of form and content, circa 1960 -- Movie: aims and contexts -- Movie: approaches and analysis -- Melodrama and mise-en-scè̀ne -- Postscript: Bordwell's interventions.
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|a Legal Deposit;
|c Only available on premises controlled by the deposit library and to one user at any one time;
|e The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
|5 WlAbNL
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|a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
|5 WlAbNL
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Film criticism
|z Great Britain
|x History
|y 20th century.
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|a Motion pictures
|z Great Britain
|x History
|y 20th century.
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|a Critique cinématographique
|z Grande-Bretagne
|x Histoire
|y 20e siècle.
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|a Cinéma
|z Grande-Bretagne
|x Histoire
|y 20e siècle.
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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|a Film criticism.
|2 fast
|0 (OCoLC)fst00924259
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|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
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|a Filmkritik
|2 gnd
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|a Großbritannien
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|a 1900-1999
|2 fast
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|a Motion picture reviews.
|2 fast
|0 (OCoLC)fst01919941
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|a Motion picture reviews.
|2 lcgft
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|a Comptes rendus de films.
|2 rvmgf
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|i Print version:
|a Gibbs, John, 1970-
|t Life of mise-en-scène.
|d Manchester : Manchester University Press, 2013
|z 9780719088667
|w (OCoLC)868084447
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctt18mvmz4
|z Texto completo
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