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Almost Hollywood, nearly New Orleans : the lure of the local film economy /

"Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers to become the number one location site globally for the production of Hollywood films and television series. Why would lawmakers support such...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mayer, Vicki, 1971- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mayer, Vicki,  |d 1971-  |e author. 
245 1 0 |a Almost Hollywood, nearly New Orleans :  |b the lure of the local film economy /  |c Vicki Mayer. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2017] 
264 4 |c ©2017 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a Prologue : I'm just a film tax credit -- Introduction : presenting Hollywood South -- The making of regional film economies : why La. is not L.A. -- Hollywood South : structural to visceral reorganizations of space -- The place of Treme in the film economy : love and labor for Hollywood South -- (Almost a) conclusion -- Appendix : a guide to decoding film economy claims and press coverage. 
520 |a "Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers to become the number one location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy's uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans answers these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana--a city that has twice pursued the mantle of a movie production capital. From the silent era to Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably"--Provided by publisher 
588 0 |a Print version record and CIP data provided by publisher. 
546 |a English. 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion picture industry  |z Louisiana  |z New Orleans. 
650 6 |a Cinéma  |x Industrie  |z Louisiane  |z La Nouvelle-Orléans. 
650 7 |a Film, TV and radio.  |2 bicssc 
650 7 |a History.  |2 bicssc 
650 7 |a Humanities.  |2 bicssc 
650 7 |a The arts.  |2 bicssc 
650 7 |a PERFORMING ARTS  |x Film & Video  |x General.  |2 bisacsh 
650 7 |a Motion picture industry.  |2 fast  |0 (OCoLC)fst01027150 
651 7 |a Louisiana  |z New Orleans.  |2 fast  |0 (OCoLC)fst01204311 
653 |a new orleans. 
653 |a louisiana. 
653 |a runaway film. 
653 |a film industries. 
653 |a hollywood south. 
653 |a film economy. 
653 |a creative economy. 
653 |a tax incentives. 
653 |a hollywood. 
773 0 |t De Gruyter Open Books.  |d De Gruyter 
776 0 8 |i Print version:  |a Mayer, Vicki, 1971-  |t Almost Hollywood, nearly New Orleans.  |d Oakland, California : University of California Press, [2017]  |z 9780520293816  |w (DLC) 2016046883 
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